<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; =
charset=us-ascii">
<TITLE>Message</TITLE>
<META content="MSHTML 6.00.2716.2200" name=GENERATOR></HEAD>
<BODY>
<DIV><SPAN class=890391617-21042003><FONT face=Arial>Terry,
David,</FONT></SPAN></DIV>
<DIV><SPAN class=890391617-21042003><FONT face=Arial>I also remember =
a long
thread on Impedance and Empiricism back in 2000. Haven't had time =
to look
it up and count the responses. I do see a pattern of certain =
people able
to sustain and carry discussions beyond where most of us care to =
go!
</FONT></SPAN></DIV>
<DIV><SPAN class=890391617-21042003><FONT =
face=Arial></FONT></SPAN> </DIV>
<DIV><SPAN class=890391617-21042003><FONT =
face=Arial>jeannie</FONT></SPAN></DIV>
<DIV> </DIV>
<P><FONT size=2>Jeannie Grassi, RPT<BR>Associate Editor, Piano =
Technicians
Journal<BR><A
href="mailto:jgrassi@silverlink.net">mailto:jgrassi@silverlink.net</A> =
</FONT></P>
<BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
<DIV></DIV>
<DIV class=OutlookMessageHeader lang=en-us dir=ltr =
align=left><FONT
face=Tahoma size=2>-----Original Message-----<BR><B>From:</B>
pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] <B>On =
Behalf Of
</B>David Skolnik<BR><B>Sent:</B> Monday, April 21, 2003 6:51 =
AM<BR><B>To:</B>
Pianotech<BR><B>Subject:</B> Re: Post =
Responses<BR><BR></FONT></DIV>Terry
-<BR>You are right to take pride in the little miracles that are =
the
unpredictable children of ones' thoughts. In response to your =
question,
if you allow for the somewhat looser interpretation, which follows the =
subject
thread, rather than the specific posting title (since the actual =
subject of
this wandered a bit), my candidate for the longest would be one which =
began on
11/30/01 "Negative Bearing" by the infamous David Love, and morphed =
through a
number of changed subject tiltles until a final gasp from Phillip Ford =
and
Richard Brekne, "Vibrating strings and bridges", on 3/14/02. I =
counted a
total of about 519 posts throughout the thread, the title subjects of =
which
were as follows:<BR><BR>11/30/01 -
12/04/01<X-TAB> </X-TAB>Negative
=
Bearing<X-TAB> </X-TAB><X-=
TAB> </X-TAB><X-TAB> =
</X-TAB>037<BR>12/03/01
- 12/06/01<X-TAB> </X-TAB>Soundboard =
grain
=
angle<X-TAB> </X-TAB><X-TAB> &nbs=
p; </X-TAB><X-TAB> &n=
bsp;</X-TAB>039<BR>12/03/01
- 12/04/01<X-TAB> </X-TAB>Sound in
=
soundboard<X-TAB> </X-TAB><X-TAB>  =
; </X-TAB><X-TAB> &nb=
sp; </X-TAB>009<BR>12/04/01
- 12/06/01<X-TAB> </X-TAB>Modal
=
Analysis<X-TAB> </X-TAB><X-TAB> &=
nbsp; </X-TAB><X-TAB>  =
; </X-TAB><X-TAB> </X=
-TAB>025<BR>12/05/01
- 12/08/01<X-TAB> </X-TAB>Sound
=
waves<X-TAB> </X-TAB><X-TAB> &nbs=
p; </X-TAB><X-TAB> &n=
bsp; </X-TAB><X-TAB> =
</X-TAB>032<BR>12/08/01
- 12/10/01<X-TAB> </X-TAB>Soundboard vs.
=
string<X-TAB> </X-TAB><X-TAB> &nb=
sp; </X-TAB><X-TAB> &=
nbsp; </X-TAB>005<BR>12/15/01
- 12/ 21/01<X-TAB> </X-TAB>Behavior of sound
=
waves<X-TAB> </X-TAB><X-TAB> &nbs=
p; </X-TAB><X-TAB> </=
X-TAB>255<X-TAB> </X-TAB><BR>12/24/01
- 12/31/01<X-TAB> </X-TAB>Rocking
=
bridges<X-TAB> </X-TAB><X-TAB> &n=
bsp; </X-TAB><X-TAB> =
</X-TAB><X-TAB> </X-TAB>03=
2<BR>12/25/01
- 12/26/01<X-TAB> </X-TAB>Sound wave
=
physics<X-TAB> </X-TAB><X-TAB> &n=
bsp; </X-TAB><X-TAB> =
</X-TAB>002<BR>01/06/02
- 01/10/02<X-TAB> </X-TAB>Sound
=
propagation<X-TAB> </X-TAB><X-TA=
B> </X-TAB><X-TAB> &n=
bsp; </X-TAB>019<BR>01/17/02
- 01/20/02<X-TAB> </X-TAB>Soundwaves (a =
neat
=
experiment)<X-TAB> </X-TAB><X-TAB> &nbs=
p; </X-TAB>023<BR>01/24/02
- 01/31/02<X-TAB> </X-TAB>Wapin
=
bridge<X-TAB> </X-TAB><X-TAB> &nb=
sp; </X-TAB><X-TAB> &=
nbsp; </X-TAB><X-TAB>  =
; </X-TAB>026<BR>02/04/02
- 02/05/02<X-TAB> </X-TAB>On the course =
of
=
discussion<X-TAB> </X-TAB><X-TAB>  =
; </X-TAB>002<BR>02/25/02
- 02/27/02<X-TAB> </X-TAB>Bass bridges =
made of
=
spruce<X-TAB> </X-TAB><X-TAB> &nb=
sp; </X-TAB>005<BR>02/27/02<X-TAB> &nbs=
p; </X-TAB><X-TAB> &n=
bsp; </X-TAB>Aprons
& holey
=
bridges<X-TAB> </X-TAB><X-TAB> &n=
bsp; </X-TAB><X-TAB> =
</X-TAB>002<BR>02/25/02
- 02/27/02<X-TAB> </X-TAB>On the Course =
of
=
discussion<X-TAB> </X-TAB><X-TAB>  =
; </X-TAB>004<BR><X-TAB> &n=
bsp; </X-TAB><X-TAB> =
</X-TAB><X-TAB> &nbs=
p; </X-TAB>(Behavior
of
=
soundboards)<BR>03/14/02<X-TAB> =
</X-TAB><X-TAB> </X-=
TAB>Vibrating
strings<X-TAB> </X-TAB> =
=
<X-TAB> </X-TAB><X-TAB> &nb=
sp; </X-TAB><X-TAB> &=
nbsp; </X-TAB>002<BR><BR>I
always hoped (expected) that the discussion would revive once everyone =
cooled
down and took extension division courses in non-linear calculus. =
So far,
no luck. I thought I had a chance at reviving it last week, when =
I
replied to a post of Del's in "No killer octave here", where he =
said:<BR><BR>
<BLOCKQUOTE class=cite cite="" type="cite">At 04:18 PM 4/13/2003 =
-0700, Del
wrote:<BR><BR>
<BLOCKQUOTE class=cite cite="" type="cite">Energy from the =
strings is
"transferred over a greater area of the bridge"<BR>by virture of =
the
bridge being set in physical motion by the vibrating<BR>energy in =
the
strings. Because of this motion both the soundboard and =
the<BR>other
strings in the vicinity are also set in =
motion.</BLOCKQUOTE></BLOCKQUOTE><BR>I
said:<BR><BR>
<BLOCKQUOTE class=cite cite="" type="cite">I'm wondering whether =
to expect a
response from Robin Hufford any time soon. I wasn't sure that one =
ever got
settled either, at least with a "blow'um out of the water" =
arguement.
I had always expected that the subject would be revisited when =
tempers had
cooled. Perhaps they're still cooling.</BLOCKQUOTE><BR>No =
takers
then. Any now? <BR><BR>Still keeping my head down, with extra =
gallons of
H<FONT size=1>2</FONT>O in the basement.<BR><BR>David
Skolnik<BR>Hastings-on-Hudson<BR><BR>PS. The recent Steinway =
Duplex
discussion (11/12 - 12/01) @ 249 did pretty well
also.<BR><BR><BR><BR><BR><BR><BR>At 06:23 AM 4/21/2003 -0400, you =
wrote:<BR>
<BLOCKQUOTE class=cite cite="" type="cite">I find it curious =
sometimes that
you can post something and not get any responses. Then other times =
the
responses don't seem to stop. I wonder if anyone has kept track of =
the most
popular post ever (the most responses to it)?<BR><BR>I'm amazed at =
the
conversation stirred up by my original Killer Octave Question post. =
I was
hoping to get a little feedback - probably from the likes of Del F. =
and Ron
N., but clearly did not expect 124 responses!!! This back-and-forth =
banter
seems to have squeezed out some very interesting =
information.<BR><BR>Terry
Farrell<BR>
<BR>_______________________________________________<BR>pianotech =
list info:
<A href="https://www.moypiano.com/resources/#archives"
eudora="autourl">https://www.moypiano.com/resources/#archives</A> =
</BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>