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I've worked on the Kimball Vienna (all white 5'8" I think) baby
grand. I wasn't impressed. There were veneer shims stacked up
between the plate and the side on the piano. Turn the casters wrong
and pull the music desk out and you might not get it back in. Tone
wasn't good, kind of dead. There was no braiding on the back-scale
at all. Adding that helped. Whoever sold this one didn't prep
it at all. A rough-over regulation made it capable of some
expression. Customer was ecstatic with that and I didn't get to
sell the full-over and voicing before I moved.<br><br>
There's no such thing as "black-market" Yamahas unless they are
"hot"--stolen. Yamaha USA would like to push the idea of
"grey-market" pianos but that doesn't stand up to the
definition either. Fact is a lot of these are older. How far
back is Yamaha still good? Your call. Lightly
used/refurbished/restored Kawais are also being imported. Kawai
doesn't make you buy overseas to get parts for them. Any piano
going into bad climate conditions should have climate control, look at
the old pianos in your area. If you have a bad climate they're
probably a sorry lot. <br><br>
Andrew <br><br>
At 08:13 PM 11/3/2005, you wrote:<br>
<blockquote type=cite class=cite cite=""><font size=2>Anyone have any
insight to share regarding used Kimball Vienna baby grands? Good or
bad or things to watch out for?<br>
<br>
Also, I have the same kind of questions regarding new Kawai’s? Are
they “mid-quality”? How do they rate? Do I need to watch out
for Black-market pianos, similar to Yamaha?<br>
<br>
Thank you all. </font><font face="Wingdings" size=2>J<br>
</font> <br>
<br>
<font face="Jester" size=5><b>Brian P. Doepke<br>
</b></font><font face="Times New Roman, Times"> <br>
</font><font size=2>AAA PianoWorks<br>
260-432-2043<br>
260-417-1298<br>
</font><font face="Times New Roman, Times"> </font></blockquote>
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