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<BODY bgColor=#ffffff>It does seem to me if you are having those=
big seasonal swings your pianos need a damp-chaser...? I=
don't have that problem here in the Bay Area...<BR><BR>David=
Ilvedson<BR><BR><BR><BR><BR>
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Original message<BR>From: Richard Oliver Snelson=
<RSNELSON0984@MCHSI.COM><BR>To: Pianotech=
<PIANOTECH@PTG.ORG><BR>Received: Fri, 18 Feb 2005 09:00:19=
-0600<BR>Subject: Re: One more tuning question...<BR><BR>
<DIV align=left>Julia, </DIV>
<DIV>I would ask you this question. Let's assume you end your=
tuning with the piano on A=440. Tomorrow the weather changes a=
bit and the humidity goes up. Where is you tuning at the end of=
the day or the third day after you tuned? If you are aware of=
season changes and how they will affect the piano it is=
only good practice in my opinion to "float" the pitch in some=
cases. For example leave it slightly low if you know it's going=
to go sharp in a few weeks. Over all the customer ends up with a=
piano that's closer to A=440 for a longer time. I'm sure there=
maybe a few customers, performers, even tuners, that can=
tell the piano is not A=440, most can not without a fork, tone,=
ETD. I weekly find fine artists playing with a 20 cent=
flat or sharp piano and not having the least idea it sharp or=
flat. There is no reason you can't explain what you are=
doing to the customer and why it will keep the piano=
closer to 440. </DIV>
<DIV>The pianos that I tune on a two month basis I will end=
the tunings at A=440 during the same season. Unless=
I'm tuning just before the heat come on or summer and the air is=
about to start, then I will think of allowing a small=
amount of pitch "Float". Rich</DIV>
<DIV> </DIV>
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<DIV style="FONT: 10pt arial">----- Original Message -----=
</DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color:=
black"><B>From:</B> <A title=Alpha88x@aol.com=
href="mailto:Alpha88x@aol.com">Alpha88x@aol.com</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A=
title=pianotech@ptg.org=
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, February 18,=
2005 8:36 AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> One more tuning=
question...</DIV>
<DIV><BR></DIV><FONT face=arial,helvetica><FONT lang=0 face=Arial=
size=2 PTSIZE="10" FAMILY="SANSSERIF">Greetings,=
<BR><BR> &n=
bsp; Is one way of doing business for some tuners to just=
tune the piano "where it is"? In other words, they check the A=
and if its close enough (or even if its not close to 440 ) just=
tune the piano so that it is in tune with=
itself???<BR><BR>  =
; And even going further, If they have a regular=
client, such as a church, to do the above mentioned thing,=
cleaning up unisons (so as to do a "bang-up" tuning) and then,=
on every 4th tuning or so pull it back up to A440 or alittle=
above, so they are set up to repeat the whole process, thereby=
saving themselves some time on intermittent tunings, yet leaving=
the customer believing that they are receiving an A440 tuning=
each and every time...when they aren't receiving a true tuning=
(as far as proper pitch goes) each and every=
time??<BR><BR> &n=
bsp; Not that I would do such a thing in my practice.=
I do not condone it either. I think it is dishonest. My question=
is do some tooners do this?? is it possible?=
<BR> <BR><BR>Julia <BR>Reading,=
PA<BR></BLOCKQUOTE></FONT></FONT></DIV></BODY></HTML>