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<P> <B><I>John Delacour <JD@Pianomaker.co.uk></I></B> wrote:
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<P>At 2:02 PM -0800 12/10/01, Stephen Airy wrote:<BR><BR>>What upright do you have?<BR><BR>I have quite a few, but the ones I shan't sell are are two Lipps and <BR>a Brinsmead -- and maybe a Schiedmayer.<BR></P>
<P>What size are they?</P>
<P><BR>>Also, do you know what the scale is on the Baldwin<BR>>6000? I'm curious to see what notes are on the bass<BR>>bridge, what notes are single string, double string,<BR>>etc...<BR><BR>No idea. Baldwins don't sell here. Can't you measure it?</P>
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<P>Never seen one.<BR></P>
<P><BR>>I've twisted all my bass strings, and many of my<BR>>double-covered strings sound fairly nice, although<BR>>there are still a few somewhat tubby ones.<BR><BR>Mmm. New strings should be twisted; old strings should be renewed. <BR>Twisting a string that has gone dull either simply masks the dullness <BR>and introduces all sorts of odd noises or else kills the string dead.<BR></P>
<P>Of my monochords, A0 and A#0 have been replaced and sound fairly nice (but A#0 is a little better), B0 and C1 are ok but have a slight false beat, with C1 being a little tubby, C#1 is probably my best sounding old d/c monochord string, D1 is nice, D#1 is ok but has a little bit of the "odd noises", E1 is also ok but not up to par, F1 is somewhat tubby, and F#1 is similar to E1.</P>
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