<HTML><FONT FACE=arial,helvetica><FONT SIZE=2>In a message dated 6/1/01 1:06:25 PM Central Daylight Time,
<BR>dnereson@dimensional.com (Dave Nereson)
<BR> writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">To my mind, "piano tuning theory", music theory, and historical temperaments
<BR>are all the same theory,(snip)</FONT><FONT COLOR="#000000" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE>
<BR></FONT><FONT COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR>I agree and thanks for the post. When I have tried to write up my EBVT, some
<BR>have complained about being confused by enharmonic note identification. The
<BR>best solution I've found is to write both, for example, the minor 3rd,
<BR>F3-Ab3(G#3).
<BR>
<BR>The small letter "b" looks close enough to be a "flat" to me but you could
<BR>use italics to make it lean a little. I don't on this list because it
<BR>doesn't transfer to everybody.
<BR>
<BR>Bill Bremmer RPT
<BR>Madison, Wisconsin</FONT></HTML>