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<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2>Hi
Michael,</FONT></SPAN></DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2>I seem
to recall that Bob Davis own a VT 100 EDT, As this tuner is based on a =
real time
spectrum analysis circuitry, it gives the partial ladder in cts on the =
display,
and more, these are recorded into the memory for all notes of the
instrument.</FONT></SPAN></DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2>This
EDT is the one that works the most in the same way than our tuner's ear, =
that is
why this is easier to agree with the information proposed when using
them.</FONT></SPAN></DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2>Sometime you tune a piano and see that the opening of the =
octaves is
really not that large in the 5e octave, just to see after that that it =
was
necessary to have a high treble falling in love with the medium zone. =
Usually
that bothers me too much to see that the machine is right when I believe =
not, so
I shut it and finish by ear ! </FONT></SPAN></DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2>What
the EDT does not have is the 6th sense that edict you to add a little =
stretch
there or there (or on the first string tuned of the unison) an attempt =
is made
allowing us to ask for a slight fixed over pull, for instance 5 %, but =
the
reading of the screen is less easy (and slower) then, =
so I had
to take the habit to understand that what the display show is where the =
FINAL
pitch may end, not always the same that the pitch I am tuning at the
moment.</FONT></SPAN></DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2>As you
said, watching an EDT all along the instrument is sowing things, but =
having the
EDT not in front, but a little on my side, confirming me that that =
I are
doing a good job is convenient for me.</FONT></SPAN></DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2>Often,
when I want to look at it, the display does not show the good note =
because it
has been disturbed by aural checks, so better go to the next note and =
use the
EDT for the final checks and polishing.</FONT></SPAN></DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2>A
friend , new user of the VT (the second one in France) comes by to see =
how
I use it, and after watching me tuning a temperament and a few =
notes above
, that I done with my usual manner, he say ;:" Now I understand how =
you do
: you never look at it :°)</FONT></SPAN></DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2>Joke
apart, I tuned a CT80 without amplification in a very noisy environment =
a few
weeks ago, almost without checks, chromatically (and the VT =
never recorded
this one) I have NEVER heard a CP 80 that tone so just, nor so good,
particularly in the bass.</FONT></SPAN></DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=998385017-09112003></SPAN><SPAN
class=998385017-09112003></SPAN><SPAN =
class=998385017-09112003></SPAN><SPAN
class=998385017-09112003><FONT face=Arial color=#0000ff
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2>Best
regards.</FONT></SPAN></DIV>
<DIV><SPAN class=998385017-09112003><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=998385017-09112003> </SPAN></DIV>
<DIV><FONT face=Arial color=#0000ff size=2></FONT> </DIV>
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<TD class=noro style="PADDING-LEFT: 4px"
vAlign=top><B>Isaac OLEG</B><BR><I>accordeur - =
reparateur - concert</I> </TD>
<TD class=noro style="PADDING-RIGHT: 4px" =
vAlign=top
align=right><A class=psl
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href="http://maps.yahoo.com/py/maps.py?Pyt=Tmap&addr=19+rue+Jul=
es+Ferry&csz=94400+VITRY+sur+SEINE&country=us"
target=_blank>19 rue Jules Ferry<BR>94400 =
VITRY sur
SEINE</A> </TD></TR>
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<TD class=noro noWrap align=right>tel: =
<BR>fax:
<BR>mobile: </TD>
<TD class=noro style="PADDING-LEFT: 4px" =
noWrap
align=right>033 01 47 18 06 98<BR>33 01 47 =
18 06
90<BR>033 06 60 42 58 77
=
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<BLOCKQUOTE dir=ltr
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<DIV class=OutlookMessageHeader dir=ltr align=left><FONT =
face=Tahoma
size=2>-----Message d'origine-----<BR><B>De :</B>
pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org]<B>De la =
part
de</B> Michael Gamble<BR><B>Envoyé :</B> dimanche 9 novembre =
2003
18:27<BR><B>À :</B> pianotech@ptg.org<BR><B>Objet :</B> =
"The
invisible tool"<BR><BR></FONT></DIV>
<DIV><FONT face=Arial size=2>Hello Bob Davis</FONT></DIV>
<DIV><FONT face=Arial size=2>This is a late reply to your most =
interesting
comments on the partial/harmonic frequencies on my model "A" S&S =
for which
I thank you.</FONT></DIV>
<DIV><FONT face=Arial size=2>The figures you gave in that post =
make me ask how
you derived them! Do you have a "Sierra" frequency meter to give such =
accurate
read-outs? Or are these figures which are supplied by S&S? I =
should be
very interested to see a full listing, in data-base format, of =
such
accuracy so that, when tuning, the beats we hear can positively be =
identified
as issuing from the result of which-ever partials beating
together.</FONT></DIV>
<DIV><FONT face=Arial size=2>Regards</FONT></DIV>
<DIV><FONT face=Arial size=2>Michael G (UK)</FONT> </DIV>
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<TD class=noro
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COLOR: #ffffff"
align=right>Keyboard tuner to Glyndebourne =
since
1980</TD></TR></TBODY></TABLE></TD>
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<TD class=noro style="PADDING-LEFT: 4px"
vAlign=top><B>Michael
Gamble</B><BR><I>Piano/Harpsichord =
Tuner/Tech.</I> </TD>
<TD class=noro style="PADDING-RIGHT: 4px" =
vAlign=top
align=right><A class=psl
=
href="http://maps.yahoo.com/py/maps.py?Pyt=Tmap&addr=29+Shepher=
ds+Way&csz=RingmerSussex++BN8+5LT&country=us"
target=_blank>"Westwick"<BR>29 Shepherds
Way<BR>Ringmer<BR>Sussex BN8 5LT<BR>UK</A> =
</TD></TR>
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vAlign=bottom><A class=psl
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<TD class=noro noWrap align=right>tel: =
<BR>fax:
<BR>mobile: </TD>
<TD class=noro style="PADDING-LEFT: =
4px" noWrap
align=right>+44(0)1273 =
813612<BR>+44(0)1273
813612<BR>07766 184580
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