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<DIV><FONT face=Arial>Gordon wrote:</FONT></DIV>
<DIV><FONT face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial>"What better explanation could there possibly =
be<BR>for
this contrast than that hard woods transmit<BR>runaway vibrations back =
to the
board for further<BR>expression as audible sound, AKA the
much-maligned<BR>"Circle of Sound" ?&nbsp;</FONT></DIV>
<DIV><FONT face=Arial>&nbsp;<BR>Absolutely! I agree completely. And =
the proof is
in the fact that the case material is the one and only difference =
between these
two pianos!</FONT></DIV>
<DIV><FONT face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial>You are not&nbsp;even&nbsp;comparing apples and =
oranges -
you are comparing drive shafts and conjugated verbs!</FONT></DIV>
<DIV><FONT face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial>I'll pass on the kazoo.....</FONT></DIV>
<DIV><FONT face=Arial></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial>Terry Farrell</FONT></DIV>
<DIV><FONT face=Arial><BR><FONT size=2></FONT></FONT></DIV><FONT =
face=Arial
size=2>&gt; Dear Cynical Smartypantses,<BR>&gt; =
&nbsp;&nbsp;&nbsp;&nbsp; I've
been puttering around with a 106 year old<BR>&gt; Everett upright, in
preparation for the TCM festival;<BR>&gt; and marveling at how an =
unrestored
piano such as this<BR>&gt; can still sound so wonderful: with a rich, =
warm,
clean<BR>&gt; and well-defined tone!<BR>&gt; &nbsp;&nbsp;&nbsp;&nbsp; =
And then I
noticed that every bit of the case <BR>&gt; ( under the veneer, that is =
) seems
to be solid ash,<BR>&gt; excepting the keybed, which is laminated rock
maple<BR>&gt; similar in configuration to the glued-up boards =
used<BR>&gt; in
bowling alleys.<BR>&gt; &nbsp;&nbsp;&nbsp;&nbsp; And then I remembered =
the new,
Georgia-built<BR>&gt; Yamaha upright I tuned at a church last year: with =

its<BR>&gt; particle board case and exceptionally muddy, =
"thubby"<BR>&gt;
tone.....<BR>&gt; &nbsp;&nbsp;&nbsp;&nbsp; What better explanation could =
there
possibly be<BR>&gt; for this contrast than that hard woods =
transmit<BR>&gt;
runaway vibrations back to the board for further<BR>&gt; expression as =
audible
sound, AKA the much-maligned<BR>&gt; "Circle of Sound" ?&nbsp; <BR>&gt;
&nbsp;&nbsp;&nbsp;&nbsp; While we may consider many of those in =
the<BR>&gt;
marketing end of the piano business worthy of a good<BR>&gt; spanking, =
are we
perhaps guilty of letting our disdain<BR>&gt; of them denigrate a valid =
concept
?<BR>&gt; &nbsp;&nbsp;&nbsp;&nbsp; Thump<BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;
<BR>&gt; --- Ron Nossaman &lt;</FONT><A =
href="mailto:rnossaman@cox.net"><FONT
face=Arial size=2>rnossaman@cox.net</FONT></A><FONT face=Arial =
size=2>&gt;
wrote:<BR>&gt; <BR>&gt; &gt; <BR>&gt; &gt; &gt;It has been tuned by two =
other
RPT's recently. I<BR>&gt; &gt; tuned it yesterday and<BR>&gt; &gt; =
&gt;am going
back<BR>&gt; &gt; &gt;to Charleston ( that's where the piano is-50 =
miles<BR>&gt;
&gt; up the road) next<BR>&gt; &gt; &gt;week to see<BR>&gt; &gt; =
&gt;&nbsp; how
MY tuning fared. It was mostly unisons, the<BR>&gt; &gt; worst in the =
A-49
thru<BR>&gt; &gt; &gt;C-64 range.<BR>&gt; &gt; <BR>&gt; &gt; Killer =
octave
country. I'd check crown for sure<BR>&gt; &gt; there.<BR>&gt; &gt; =
<BR>&gt; &gt;
<BR>&gt; &gt; &gt;One other thing I didn't mention in my first =
post<BR>&gt; &gt;
is that I found a<BR>&gt; &gt; &gt;plate lag bolt,<BR>&gt; &gt; &gt;the =
one in
the extreme right front that was not<BR>&gt; &gt; snugged down to =
the<BR>&gt;
&gt; &gt;point that the flat washer<BR>&gt; &gt; &gt;and the lock washer =
both
would spin.<BR>&gt; &gt; <BR>&gt; &gt; Did the rebuilder mount the plate =
with
the old lags<BR>&gt; &gt; (on dowels?) instead of <BR>&gt; &gt; the bolt =

suspension system designed for this plate?<BR>&gt; &gt; <BR>&gt; &gt; =
<BR>&gt;
&gt; &gt;Should this project proceed, and while the board is<BR>&gt; =
&gt; out,
do you see any<BR>&gt; &gt; &gt;benefit in modifying<BR>&gt; &gt; &gt;or =
adding
to the bracing etc. Re-inventing the<BR>&gt; &gt; wheel so to =
speak.<BR>&gt;
&gt; <BR>&gt; &gt; If it was my project, I'd want to add =
bracing,<BR>&gt; &gt;
cutoff and fish, new rib <BR>&gt; &gt; scale, soundboard, bridges, =
string scale
with no<BR>&gt; &gt; wrapped trichords, and do <BR>&gt; &gt; something =
about
that front duplex.<BR>&gt; &gt; <BR>&gt; &gt; <BR>&gt; &gt; =
&gt;I've<BR>&gt;
&gt; &gt;already told the church<BR>&gt; &gt; &gt;that regardless of =
what else
is going on they have<BR>&gt; &gt; a climate control<BR>&gt; &gt; =
&gt;problem
they will have to address.<BR>&gt; &gt; <BR>&gt; &gt; Good! I didn't =
realize
this was a church from your<BR>&gt; &gt; first post.<BR>&gt; &gt; =
<BR>&gt; &gt;
Ron N<BR>&gt; &gt; <BR>&gt; &gt;
_______________________________________________<BR>&gt; &gt; pianotech =
list
info:<BR>&gt; &gt; </FONT><A
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T
face=Arial size=2>&gt; &gt; <BR>&gt; <BR>&gt; <BR>&gt; <BR>&gt; =
<BR>&gt;
<BR>&gt; __________________________________ <BR>&gt; Do you Yahoo!? =
<BR>&gt;
Yahoo! Mail - You care about security. So do we. <BR>&gt; </FONT><A
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