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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=LHudicek@AOL.COM =
href="mailto:LHudicek@AOL.COM">LHudicek@AOL.COM</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> February 16, 2002 4:38 =
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Prepared Pianos
question</DIV>
<DIV><BR></DIV><FONT face=arial,helvetica><FONT size=2>
<DIV><BR>I'm sorry you feel this way. However, pianists are =
going to do
it whether or not you say "no." Wouldn't it be better to teach =
them how
to do this without harming the piano rather than pretended you don't =
see
it? May I suggest Alan Eder's video, Non-Traditional Piano
Techniques?<BR><BR>Respecting your opinion but trying to open the
mind,<BR>Laurie</FONT> </DIV>
<DIV><FONT size=2></FONT> </DIV></BLOCKQUOTE>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT face="Lucida Sans" color=#000080>Laurie,</FONT></DIV>
<DIV><FONT face="Lucida Sans" color=#000080></FONT> </DIV>
<DIV><FONT face="Lucida Sans" color=#000080>I doubt you will find =
many piano
technicians who will agree that the practice of <EM>preparing</EM> a =
piano for a
performance is a good thing. This will be especially true among those of =
us who
have had the misfortune of following up some of those performances the =
day after
and being then faced with the task of repairing the damage done by =
ignorant and
thoughtless performers. </FONT></DIV>
<DIV><FONT face="Lucida Sans" color=#000080></FONT> </DIV>
<DIV><FONT face="Lucida Sans" color=#000080>There is probably not =
much you can
do about the thoughtlessness, but it will be a good thing if you can =
dispel some
of the ignorance by including in your thesis information on how easily =
damaged
are certain parts of the piano. Following some of these concerts I've
personally repaired (more often than not this means replacing) =
damaged
dampers, hammers and strings. In one case both the soundboard and =
even the
cast iron plate were damaged by a (in this case) so-called =
artist.
</FONT><FONT face="Lucida Sans" color=#000080>Perhaps the guiding =
motto of the
prepared piano artist might be, "First, do no harm...."</FONT></DIV>
<DIV><FONT face="Lucida Sans" color=#000080></FONT> </DIV>
<DIV><FONT face="Lucida Sans" color=#000080>After a few of these
experiences my recommendation to all piano managers became simply =
to allow
the artist to do whatever he/she wished to do to the piano--as you've =
pointed
out, they are probably going to do so anyway--but only after signing a =
binding
financial responsibility agreement. It has been my observation that most =
folks--even artists--are much more careful with their <EM>preparing</EM> =
when
faced with the prospect of paying out hundreds (sometimes thousands)
of their own dollars for the <EM>unpreparing</EM>. </FONT></DIV>
<DIV><FONT face="Lucida Sans"><FONT =
color=#000080></FONT></FONT> </DIV>
<DIV><FONT face="Lucida Sans"><FONT =
color=#000080>Regards,</FONT></DIV>
<DIV><FONT color=#000080></FONT><FONT color=#000080></FONT><FONT
color=#000080></FONT><FONT color=#000080></FONT><BR><FONT
color=#000080>Del</FONT></DIV>
<DIV><FONT color=#000080></FONT> </DIV>
<DIV><FONT color=#000080>Delwin D Fandrich<BR>Piano Designer &
Builder<BR>Hoquiam, Washington USA<BR>E.mail: <A
href="mailto:pianobuilders@olynet.com">pianobuilders@olynet.com</A><BR>=
Web
Site: <A
href="http://www.pianobuilders.com">www.pianobuilders.com</A></FONT></F=
ONT></DIV></FONT></BODY></HTML>