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<p class=MsoNormal><font size=2 color=navy face=Arial><span =
style='font-size:
10.0pt;font-family:Arial;color:navy'>West Coast, where the summers are =
hot and
dry and the winters are cold and wet. Isn’t that =
normal?</span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span =
style='font-size:
10.0pt;font-family:Arial;color:navy'> </span></font></p>
<div>
<p><font size=2 color=navy face="Times New Roman"><span =
style='font-size:10.0pt;
color:navy'>David Love</span></font><font size=2 color=navy><span
style='font-size:10.0pt;color:navy'><br>
davidlovepianos@comcast.net </span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=2 =
face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma'>-----Original =
Message-----<br>
<b><span style='font-weight:bold'>From:</span></b> =
pianotech-bounces@ptg.org
[mailto:pianotech-bounces@ptg.org] <b><span =
style='font-weight:bold'>On Behalf
Of </span></b>David Skolnik<br>
<b><span style='font-weight:bold'>Sent:</span></b> Monday, October 03, =
2005
5:12 AM<br>
<b><span style='font-weight:bold'>To:</span></b> </span></font><font =
size=2
face=Tahoma><span =
style='font-size:10.0pt;font-family:Tahoma'>Pianotech</span></font><fon=
t
size=2 face=Tahoma><span =
style='font-size:10.0pt;font-family:Tahoma'><br>
<b><span style='font-weight:bold'>Subject:</span></b> Re: some days =
you get
what you ask for</span></font></p>
<p class=MsoNormal style='margin-left:.5in'><font size=3 =
face="Times New Roman"><span
style='font-size:12.0pt'> </span></font></p>
<p class=MsoNormal style='margin-left:.5in'><font size=3 =
face="Times New Roman"><span
style='font-size:12.0pt'>David Stahl wrote:<br>
<br>
<br>
</span></font></p>
<p class=MsoNormal style='margin-left:.5in'><font size=2 =
face=Arial><span
style='font-size:10.0pt;font-family:Arial'>I was hoping for the best, =
but it
was the usual 8-10 cent late-summer pitch raise. </span></font></p>
<p class=MsoNormal style='margin-left:.5in'><font size=3 =
face="Times New Roman"><span
style='font-size:12.0pt'><br>
David...where do you live? What scenario would require that you =
<i><span
style='font-style:italic'>RAISE </span></i>pitch in the late =
summer? I
think it more common to have to lower pitch by that time.<br>
<br>
<br>
David Skolnik<br>
<br>
<br>
At 01:39 AM 10/3/2005 -0400, you wrote:<br>
<br>
</span></font></p>
<p class=MsoNormal style='margin-left:.5in'><font size=2 =
face=Arial><span
style='font-size:10.0pt;font-family:Arial'>List,<br>
<br>
Friday was certainly an interesting day on the job. First piano =
was an
old Erhard upright, a nice old box made in 1919, pretty good =
shape. It
had a broken high treble string on it, which I'd been aware of, and I =
replaced
it no problem.<br>
<br>
Next piano, Acrosonic, circa 1950s. Pitch raise, twang, G#2 wound =
bicord
snapped. A perfect candidate for one of the universal bass strings a lug
around. As usual, spinning off excess copper was the most time =
consuming
part of this job. Again, no real problem.<br>
<br>
I was thinking about how much I've improved in various repairs, thanks =
to many
tips gleaned from this list and elsewhere in the PTG. This type of =
repair
was once something I dreaded, now it's just something I do in the line =
of
duty. "But," I told myself, "don't get cocky. =
How
long's it been since you've replaced a long wire in an understrung =
section of a
piano?" It had been awhile.<br>
<br>
Which brings me to the next piano: Steinway, a regular client, a =
nemesis
piano that always finds a way to lengthen the appointment beyond an =
acceptable
length. A 1915 or so M re-whatevered badly a couple of decades =
ago.
I was hoping for the best, but it was the usual 8-10 cent late-summer =
pitch
raise. No problem, at least until I got to A3. Twang. =
The
A#3-A3 wire snapped. Went to the car, got stringing stuff =
including tube
to get string onto hitch pin. In the failing light of the day, I =
got the
job done, but time would have been saved had I brought in my shop light =
so I
could see better to route the wire through the bridge pins.<br>
<br>
The upside: 3 strings on the day, no bloody finger tips.<br>
<br>
The weirdness: Haven't had a string break in a few months. =
Why did
they all gang up on me on one day???<br>
<br>
Tip #1: putting some tension on the wire makes it MUCH easier to =
get the
string placed properly around the bridge pins in the understrung =
areas. <br>
<br>
Tip #2: Lighting is a good thing when doing this sort of job!<br>
<br>
Thanks for reading,<br>
<br>
Dave Stahl</span></font></p>
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