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<DIV><SPAN class=872554618-10052002><FONT face=Arial color=#0000ff =
size=2>At
this moment , I believe that VT 100 cant be used to tune any fifths =
based
temperament using the custom style ability, as the fifths and twelve's =
ratio's
are not include in the model.</FONT></SPAN></DIV>
<DIV><SPAN class=872554618-10052002><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=872554618-10052002><FONT face=Arial color=#0000ff =
size=2>I mean
we don't have access to them.</FONT></SPAN></DIV>
<DIV><SPAN class=872554618-10052002><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=872554618-10052002><FONT face=Arial color=#0000ff =
size=2>It was
asked to Dave Carpenter, as being something interesting to have a =
possibility to
work on these ratios, not only on octaves, doubles and
triples?</FONT></SPAN></DIV>
<DIV><SPAN class=872554618-10052002><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=872554618-10052002></SPAN> </DIV>
<DIV><SPAN class=872554618-10052002><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=872554618-10052002><FONT face=Arial color=#0000ff =
size=2>Regards.</FONT></SPAN></DIV>
<DIV><SPAN class=872554618-10052002><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=872554618-10052002><FONT face=Arial color=#0000ff =
size=2>Isaac
OLEG</FONT></SPAN></DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid">
<DIV class=OutlookMessageHeader dir=ltr align=left><FONT =
face=Tahoma
size=2>-----Message d'origine-----<BR><B>De :</B> =
owner-pianotech@ptg.org
[mailto:owner-pianotech@ptg.org]<B>De la part de</B>
Billbrpt@AOL.COM<BR><B>Envoyé :</B> vendredi 10 mai 2002
15:25<BR><B>À :</B> =
pianotech@ptg.org<BR><B>Objet :</B> Re: EBVT
electronic tuning data<BR><BR></FONT></DIV><FONT =
face=arial,helvetica><FONT
size=2>In a message dated 5/10/02 8:13:08 AM Central Daylight Time,
mfarrel2@tampabay.rr.com (Farrell) <BR>writes: <BR><BR><BR>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px"
TYPE="CITE">Hi Ron. Bill B. has described the importance of tuning =
octaves a
certain way to get the proper effect for the EBVT (you can't do a =
proper
EBVT on an ETD!). Have you delved into programming octave =
relationships on
the Verituner that might give the desired octave relationships so =
that the
Verituner calculates a proper Bill B. EBVT? =
<BR></BLOCKQUOTE></FONT><FONT
lang=0 face=Arial color=#000000 size=3 =
FAMILY="SANSSERIF"><BR>Yes, you can use
the SAT to tune the octaves the way I do (I don't know about RCT or =
Tunelab),
I use it every day. It can find the right pitch for each note =
with the
same accuracy as can be done aurally and can be put in a program. =
You
can also use the FAC program and refine it by using the same technique =
I do
but the right correction figures for the temperament octave have to be =
determined first. When I finally am satisfied that I have them, =
I'll
explain how to use them with the FAC program. <BR><BR>Anyone out there =
who
thinks they have a set of figures, post them and I will try them and =
let you
know if they are working consistently from piano to piano or not. =
<BR><BR>The
difficulty of determining a simple temperament octave like this is =
what makes
me not trust this approach to tuning HT's. There is too much =
possibility
for error. If you, as the tuner, don't really understand the =
temperament
aurally, how would you know one way or the other if it what is =
intended?
<BR><BR></FONT><FONT lang=0 face=Arial color=#000000 size=2
FAMILY="SANSSERIF">Bill Bremmer RPT <BR>Madison, Wisconsin <BR><A
href="http://www.billbremmer.com/">Click here: -=w w w . b i l l b =
r e m m e r
. c o m =-</A> </FONT></FONT></BLOCKQUOTE></BODY></HTML>