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<DIV><FONT size=4>Gotta jump in, again. <BR><BR>Terry said "... the iron plate takes more time to distribute and adjust to the added tension than does the soundboard."<BR><BR>Does it really? Or is that another example of supposition, assumption, passed on lore, etc.<BR><BR>Why would it?<BR><BR>It seems to me that in the time it takes to do a pitch correction and tuning, assuming a constant temperature/humidity, any mechanical system would have plenty of time to react, adjust, and stabilize.<BR><BR>I'm not really picking on this for its own sake, and I certainly am not challenging Terry's long experience and much knowledge, I'm just bringing up a larger point (again) ...<BR><BR>I know that the actual experience of so many, so talented tuners cannot be discounted: There are observable phenomena that need explanation. But I'd like to know that explanations are based on demonstrable scientific principles. In the art of our craft, we have passed on a great deal of lore that is "common wisdom". But is it science?<BR><BR>"Everyone" knows that a piano must not be placed on an outside wall. Once true, not now, thanks to better home insulation. I'll bet all tuners who've been in business more than a year have run into pianos that are horribly out of tune, haven't been tuned in 8 years, and the owner says "How could it be so bad, we haven't moved it?"<BR><BR>Such examples of false beliefs and old wives' tales among the populace of piano owners can be understood and excused. But I like to know that I am on solid ground when I talk to customers, newer tuners, etc. </FONT><FONT size=4></DIV>
<DIV> <BR>Alan Barnard<BR>Salem, Missouri<BR></FONT><BR><BR>> [Original Message]<BR>> From: pianolover 88 <pianolover88@hotmail.com><BR>> To: <pianotech@ptg.org><BR>> Date: 12/21/2005 11:47:44 AM<BR>> Subject: RE: RE : How to explain a pitch adjustment..and!<BR>><BR>> << the wire bends at the bridge pins and under the capo will be<BR>> moved toward the tuning pins. These bends will take more time to stretch<BR>> and will make the tuning go out within a few days/weeks/months.>><BR>><BR>> you beat me to the punch on that one! Yes, that is a factor, plus the iron <BR>> plate takes more time to distribute and adjust to the added tension than <BR>> does the soundboard.<BR>><BR>> Terry Peterson<BR>><BR>><BR>><BR>> ----Original Message Follows----<BR>> From: Marcel Carey <mcpiano@videotron.ca><BR>> Reply-To: Pianotech <pianotech@ptg.org><BR>> To: "'Pianotech'" <pianotech@ptg.org><BR>> Subject: RE : How to explain a pitch adjustment..and!<BR>> Date: Wed, 21 Dec 2005 07:03:24 -0500<BR>><BR>> I think there is a factor that was not mentioned. For large pitch<BR>> raises, the wire bends at the bridge pins and under the capo will be<BR>> moved toward the tuning pins. These bends will take more time to stretch<BR>> and will make the tuning go out within a few days/weeks/months. The<BR>> soundboard movement will settle faster than these wire bends IMHO.<BR>><BR>> Marcel Carey, RPT<BR>> Sherbrooke, QC<BR>> ><BR>> ><BR>> > <<Are you suggesting that tuning pin movement is the source<BR>> > of pitch instability after pitch correction?>><BR>> ><BR>> > Nope. It's the change in TENSION precipitated by the<BR>> > excessive pin movements<BR>> > (during the PR) that cause instability. When large amounts of<BR>> > tension are<BR>> > added,(which can and often is THOUSANDS of pounds!) the piano must<BR>> > distribute this tension; it does not do so immediately, as we know.<BR>> > Similarly, after installing a DC I will always let the piano<BR>> > aclimate for at<BR>> > least two weeks before tuning, as the pitch will almost always drop,<BR>> > sometimes substantially). IF the client is going to play the<BR>> > piano only<BR>> > occasioanlly, I will then schedule the next tuning in 6 months .<BR>> ><BR>> > Terry Peterson<BR>> ><BR>> ><BR>> ><BR>> > ----Original Message Follows----<BR>> > From: Don <pianotuna@yahoo.com><BR>> > Reply-To: Pianotech <pianotech@ptg.org><BR>> > To: Pianotech <pianotech@ptg.org><BR>> > Subject: Re: How to explain a pitch adjustment..and!<BR>> > Date: Tue, 20 Dec 2005 21:53:44<BR>> ><BR>> > Hi Terry,<BR>> ><BR>> > Are you suggesting that tuning pin movement is the source of<BR>> > pitch instability after pitch correction?<BR>> ><BR>> > At 04:24 PM 12/20/2005 -0800, you wrote:<BR>> > >Depending on the amount of PR, ususally more than 12C, I<BR>> > always schedule a >"follow-up" tuning in 1-3 months,<BR>> > explaining that after restoring all that >loststring<BR>> > tension, the piano now must "settle" and adjust to that added<BR>> > >tension, and it some shifting of will occur. So the<BR>> > follow-up is crucial<BR>> > in<BR>> > >building long term stabilty. And that tuning will leave the<BR>> > piano much<BR>> > more<BR>> > >stable because tuning pin movement will be much smaller<BR>> > than during the >initial PR and tuning. Again, never a<BR>> > problem. > >Terry Peterson<BR>> ><BR>> > Regards,<BR>> > Don Rose, B.Mus., A.M.U.S., A.MUS., R.P.T.<BR>> > Non calor sed umor est qui nobis incommodat<BR>> ><BR>> mailto:pianotuna@yahoo.com http://us.geocities.com/drpt1948/<BR>><BR>> 3004 Grant Rd. REGINA, SK, S4S 5G7<BR>> 306-539-0716 or 1-888-29t-uner<BR>><BR>> _______________________________________________<BR>> pianotech list info: https://www.moypiano.com/resources/#archives<BR>><BR>><BR>> _______________________________________________<BR>> pianotech list info: https://www.moypiano.com/resources/#archives<BR>><BR>><BR>> _______________________________________________<BR>> pianotech list info: https://www.moypiano.com/resources/#archives<BR>><BR>><BR>> _______________________________________________<BR>> pianotech list info: https://www.moypiano.com/resources/#archives<BR></DIV></BODY></HTML>