<html>
<body>
Dale -<br>
Can you describe in a bit greater detail the 'modesty' of the cutoff and
how you modified the rib spacing and size? Why fanned? Also, are
there similar measures you would (or do) make in the M?, or is that a
perfect scale?<br><br>
David Skolnik<br><br>
<br><br>
<br>
At 10:15 AM 6/9/2005 -0400, you wrote:<br>
<blockquote type=cite class=cite cite=""><font face="arial" size=2>
</font><font face="arial"><br>
The O I'm currently ushering out the door this week
has a redesigned board . I added a modest straight cutoff bar. I also
added an extra rib for more support in the treble so that in the first
capo section there are three ribs supporting the killer octave.
These taller less wide ribs are also fanned into the treble. There
is no more killer octave, no weak notes. It's strong & clear with so
much pop & power & wonderful sustain. All sustain freaks should
welcome this.</font></blockquote></body>
</html>