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<DIV><FONT face=Arial size=2>Hi,</FONT></DIV>
<DIV><FONT face=Arial size=2>I tuned a square grand from the back, =
once. Rather
than plucking the strings, I had the customer repeatedly hit all the =
notes, as
required.</FONT></DIV>
<DIV><FONT face=Arial size=2>He hasn't called me back to tune it, I =
wonder why.
:-)</FONT></DIV>
<DIV><FONT face=Arial size=2>Regards,</FONT></DIV>
<DIV><FONT face=Arial size=2>John M. Ross</FONT></DIV>
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style="BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A href="mailto:jonpage@mediaone.net" =
title=jonpage@mediaone.net>Jon Page</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
href="mailto:pianotech@ptg.org"
title=pianotech@ptg.org>pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Monday, February 14, 2000 =
9:51
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Steinway =
square</DIV>
<DIV><BR></DIV><FONT size=3>A few of these, I would not have =
attempted to
remove the lid by myself;<BR>let alone struggle to get it moved away =
from the
wall.<BR><BR>But it sounds like a good way to tune from the =
back.<BR><BR>A
method I use for locating the correct pins quickly in the
temperament:<BR>Front rail punchings with the hole punched larger and =
the
letters of the<BR>naturals written thereon. After muting, (only two
strings/note) I place<BR>the punchings on the appropriate pins. The =
sharps are
easily distinguished<BR>at this point. This indexing facilitates the =
tuning
process.<BR>Once the temperament is set, it's just tuned
chromatically.<BR><BR>The Historical Society down the street has a =
Woodward
& Brown. It's tuned<BR>once per year for their Valentine Tea (hey- =
they
skipped this year! :-(<BR>I'll call when they open, maybe they =
forgot.
maybe they stopped the Tea :-)<BR>The pins have just enough grip to =
maintain a
fair tuning 1/2 tone flat,<BR>Someone tried to sell them a big =
"restoration"
(would have been "devastation")<BR>saying that when it was done it =
would be
worth $100,00.00. Fortunately I was<BR>able to get it playing and the =
broken
strings replaced for a minimal charge (free).<BR>However, I am now a =
Life
Member of the Society. See, there are perks.<BR>So once per year I =
maintain
the tuning to maintain my membership.<BR><BR>Squares can be a good =
education
and are definitely a source of frustration.<BR>Know when to say
when.<BR><BR>Regards,<BR><BR>Jon Page<BR><BR>At 08:20 PM 02/13/2000 =
-0500, you
wrote:<BR>>Hi Jon,<BR>><BR>>I have to confess, I have not =
tuned one
of these beasts. But a friend of<BR>>mine told me how he =
tunes them,
and perhaps he's on to something.<BR>><BR>>He tells me that when =
he can,
he will remove the lid and the damper<BR>>assembly, and tune from =
behind by
plucking the strings instead of trying to<BR>>tune like we normally =
do by
playing the key.<BR>><BR>>It might not work so well if one can't =
get
behind the beast, but if one<BR>>can...<BR>><BR>>I too have =
heard of
the wonderful work tables these things can be =
converted<BR>>to. Very
solid.<BR>><BR>>FWIW.<BR>><BR>>Brian =
Trout<BR>>Quarryville,
PA<BR>>btrout@desupernet.net<BR>><BR>>> Lying prostrate =
across the
strings to tune, praying that a string does not<BR>>> =
break<BR>>>
or an action part; ending up with a fatigued back . .
.<BR>>><BR>>> There is a reason these instrument fell into =
disfavor.<BR>>><BR>>> The last two I encountered have been =
turned
into work tables.<BR>>> And good ones at that.<BR>> =
</FONT><BR>
<DIV>Jon Page, piano technician</DIV>
<DIV>Harwich Port, Cape Cod, Mass.</DIV>
<DIV><A href="mailto:jonpage@mediaone.net"
=
EUDORA="AUTOURL">mailto:jonpage@mediaone.net</A></DIV>~~~~~~~~~~~~~~~~~=
~~~~~~~~~~~~~~~~~~~~~~~
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