<HTML><FONT FACE=arial,helvetica><FONT SIZE=2>In a message dated 8/30/01 4:47:13 PM Central Daylight Time,
<BR>rbrekne@broadpark.no (Richard Brekne) writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">No doubt you have to make sure you do a good job to please him, but
<BR>hey....thats what they pay us the big bucks for aint it. I would be
<BR>suprised if he would be against trying EBVT, as long as he knew ahead of
<BR>time what was going on. Course if you tried pulling the wool over his eyes,
<BR>I doubt that he would appreciate it much...:) </BLOCKQUOTE>
<BR>
<BR>It's not that I am out to deceive anyone as your phrase, "pulling the wool
<BR>over his eyes" implies although I understand that some people have perceived
<BR>it that way. I have not, as a matter of fact tuned *any* piano for any
<BR>reason in ET for 12 years now (except for PTG Exam "Master" Tuning). I have
<BR>used the EBVT as my default tuning for nearly 10 years. I know Chick's music
<BR>would sound great in the EBVT because I tuned it on a piano at a Convention
<BR>once and invited Kent Swafford to play it. He sat down and gave a stunning
<BR>rendition of some of Chick's music.
<BR>
<BR>While most people seem to think they need to give a whole big spiel and
<BR>explanation with an offer to tune the piano "back" if the customer is not
<BR>satisfied, I hardly ever talk about what I do any more at all. I just do it.
<BR> I don't think I'll be having the opportunity to tune for this particular
<BR>artist any time soon, though so it's not anything I'll have to ponder.
<BR>
<BR>Bill Bremmer RPT
<BR>Madison, Wisconsin</FONT></HTML>