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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A href="mailto:davidlovepianos@earthlink.net"
title=davidlovepianos@earthlink.net>David Love</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
href="mailto:pianotech@ptg.org"
title=pianotech@ptg.org>Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Saturday, March 29, 2003 =
11:34
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Knabe counterbearing
arrangement</DIV>
<DIV><BR></DIV>
<P><FONT face="MS Sans Serif" size=2>
<DIV>I'm restringing an older Knabe (1920) and wondering if I can't =
improve
the counterbearing arrangement to improve tone a bit. In the =
topmost
treble section (67 - 88) there are two counterbearing bars, one which =
is quite
close to the termination and one which is about an inch or so toward =
the
tuning pins that is normally covered with felt. In the next =
section down
(47 - 66), the counterbearing bar is normally covered with felt. =
This is
in a section in which the area leaving the termination point (agraffes =
in this
case) is normally left undamped in any way. The other part of =
the
problem is that the counterbearing height is not quite sufficient to =
get the
string at 90 degrees to the pin. My though is to put in brass =
half-ovals
in these sections. Will I be creating problems for myself?</DIV>
<DIV> </DIV></BLOCKQUOTE>
<DIV><FONT face="Lucida Sans">We nearly always install brass =
half-ovals for this
purpose. The principle is keep the string segment reasonably short and =
the
string deflection angle high enough to efficiently terminate the =
speaking length
without it being so abrupt as to encourage the strings to break. I wrote =
an
article on this once.</FONT></DIV>
<DIV> </DIV>
<DIV><FONT face="Lucida Sans">Del</FONT></DIV>
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