<html>
At 04:59 PM 12/26/2004 -0600, you wrote:<br>
<blockquote type=cite class=cite cite><font face="arial"=
size=2>Guy,</font><br>
<br>
<font face="arial" size=2>Not only can one "tucker" out,
tendonitis can occur! Even though I would tell myself I was only
playing a keyboard, the musician in me would automatically try to get
that keyboard to react like a piano. I remember playing for an
event and thinking, "Well, at least in this section I can settle for
playing softly," and then the sound man took over and bumped
up my volume. So much for expression! :-)
</font><br>
<br>
<font face="arial" size=2>Barbara Richmond</font></blockquote><br>
Barbara,<br>
Tendonitus can occur with pianos, also. Improper posture and
overly heavy touchweight will getcha! With keyboards, a complaint I have
heard more often is about joint pain. Especially in the last finger
segment . Many (not all) keyboards have short keys and a very firm front
punching. The worst part, I believe, comes from keyboard actions that
have a very high "upweight" (ie: springs only). When the
upweight is equal or almost equal to the downweight, there is a
"following" feeling that can make the action seem fast, but
also creates a struggle for players that are used to "standard"
ratios of down and up, along with the tendency for players to attempt
damper control in mainly legato passages. Could be almost subconscious
with a piano, but you really have to concentrate to get the control out
of a keyboard. Assuming, of course, the keyboard has ANY damper modeling
other than on/off. The "following" that is achieved with the
newer super-low friction actions is a different beast, in that it is
still associated with the lever of the key and the hammer weight. A true
balancing act. With a spring-loaded short key, the arc is different, and
the finger doesn't have control of a beam as much as it is just fighting
the pushing up of the spring. There's no "bounce-ability", even
with the so-called keyboard hammer actions. Tiring, for sure.<br>
Kinda like playing a no-friction 50 year old spinet where dip and let-off
are both about 1/2", and the <br>
front rail is woolcrete.<br><br>
Then again, what I would have given to have one of these new keyboards
back when I was toting a Rhodes and a Hammond (with Leslie) and assorted
other keyboards and amps! (no sympathy for the horn players)<br><br>
later,<br>
Guy Nichols, RPT<br><br>
<br><br>
<x-sigsep><p></x-sigsep>
<x-tab> </x-tab><br>
&nbs=
p;
"Not everything that counts can be counted,<br>
&nbs=
p;
and not everything that can be counted counts." <br>
<x-tab> </x-tab><x-tab> =
</x-tab><x-tab> &=
nbsp; </x-tab><x-tab> &n=
bsp; </x-tab> &nbs=
p; &n=
bsp;
Albert Einstein<br>
</html>