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<DIV><FONT face=Arial size=2>Hi list,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>I was following the post about =
soundboard
installations, and had some questions for the pros out =
there.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>I remember Ron N. mentioning that he =
gets a general
idea of what the load on the board will be once strung. I'm =
assuming he
now has an idea how tall to make the ribs to support this =
load.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>What are the consequences of going a =
step
further? Will this make the board too stiff? Will the bass
suffer? I think I also remember Del mentioning something about a =
board
giving too much of a percussive sound and not as much string =
sound. Is
this with a board that is too stiff?</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>How does the thickness of the board =
relate to how
much load it can support? And in relation to the rib =
thickness? I'm
sure all these things are interrelated. What are the =
trade-offs?
Next, I'm sure the size of the board is a factor. A smaller piano =
will
have more support from the rim, because the there is more rim per area =
of
board. Yet another factor to consider, aye?</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>How does one judge or weigh the =
trade-offs?
There are so many variables.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>There's no real point here to my =
questions. I
am always trying to learn more about my trade. And who else do I =
learn
from other than the folks who do this every day?</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Mike =
Bratcher</FONT></DIV></BODY></HTML>