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<DIV><FONT face=Arial>Gosh, Dale! That's =
interesting.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>I've always thought that the more widely a =
belief is held
the more apt is to be false. Could that be true of crowned boards? =
If
reverse crown sounds good, would you design and build me a reverse =
crowned board
that I could put in my style 2 S&S grand?</FONT></DIV>
<DIV><FONT face=Arial>I'm only partly kidding. Purposely putting =
in a
reverse crowned board is another one of the weird things I might
try.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>Regards</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>Carl Meyer Assoc. PTG<BR>Santa Clara,
California<BR><A =
href="mailto:cmpiano@home.com">cmpiano@home.com</A>
</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial></FONT> </DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=erwinpiano@msn.com href="mailto:erwinpiano@msn.com">DALE =
ERWIN</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Sunday, November 18, 2001 =
1:17
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Hamlet Davis =
bridge
agraffes/ Reverse crown Steck</DIV>
<DIV><BR></DIV>
<DIV>Terry</DIV>
<DIV> </DIV>
<DIV> Quite sure as I've seen this reverse crown =
design
probably a dozen or so times of various makers.</DIV>
<DIV> It is one of those things that is just too intentional and
symmetrical to simply be a collapsed board. I have yet to run =
across one
that didn't sound more musical than most pianos ever dreamed of being. =
Julius
Bauer, Becker Bros. ,Steck and others I can't recall the names of =
right now.
The boards were also not split up from the tension instead of =
compression as
one might think.</DIV>
<DIV> </DIV>
<DIV> Dale E. </DIV>
<DIV> </DIV>
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<DIV style="FONT: 10pt Arial">----- Original Message -----</DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt Arial; COLOR: =
black"><B>From:</B>
Farrell</DIV>
<DIV style="FONT: 10pt Arial"><B>Sent:</B> Sunday, November 18, =
2001 9:02
AM</DIV>
<DIV style="FONT: 10pt Arial"><B>To:</B> pianotech@ptg.org</DIV>
<DIV style="FONT: 10pt Arial"><B>Subject:</B> Re: Hamlet Davis =
bridge
agraffes/ Reverse crown Steck</DIV>
<DIV> </DIV>
<META content="MSHTML 5.50.4522.1800" name=GENERATOR>
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<DIV><FONT face=Arial size=3>You say "that the board was a =
reverse crowned
board with a positive set downbearing". Do you know if this =
configuration
was the intent of the designer & manufacturer? Just curious. I =
have seen
new Steinways with this board/bridge configuration, but as far =
as I
know, it was a manufacturing anomaly.</FONT></DIV>
<DIV><FONT face=Arial size=3></FONT> </DIV>
<DIV><FONT face=Arial size=3>Terry Farrell</FONT> <SPAN
id=__#Ath#SignaturePos__></SPAN> </DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- =
</DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=erwinpiano@msn.com =
href="mailto:erwinpiano@msn.com">DALE
ERWIN</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Sunday, November 18, =
2001 9:48
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Hamlet Davis =
bridge
agraffes/ Reverse crown Steck</DIV>
<DIV><BR></DIV>
<DIV>Tom and list</DIV>
<DIV> </DIV>
<DIV> You know I have been following this thread =
and it
is interesting to me how many makers tried out this idea. I =
rebuilt a
George Steck 6 ft. grand last year with this arrangement. When I =
first
encountered the piano the sound was absolutely magic. The sustain =
just
floated for what seemed like forever . The more interesting thing =
was that
the board was a reverse crowned board with a positive set =
downbearing. I
mean bearing set pressing in the usual direction.</DIV>
<DIV> A bit more time consuming to string but what a =
gem. I
keep finding all kinds of sound board conditions and =
configurations which
aren't supposed to work that do and others that should that
don't! </DIV>
<DIV> I have to figure that the weight of the Big =
Brass
agraffes also contributed to the impedance properties of the board =
probably a sustain enhancing dynamic.</DIV>
<DIV> </DIV>
<DIV> Ain't life =
interestin---Dale
Erwin----- -----</DIV>
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<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt Arial; COLOR: =
black"><B>From:</B>
Tom Driscoll<B>Sent:</B> Sunday, November 18, 2001 6:28 AM</DIV>
<DIV style="FONT: 10pt Arial"><B>To:</B> =
pianotech@ptg.org</DIV>
<DIV style="FONT: 10pt Arial"><B>Subject:</B> Hallet Davis =
bridge
agraffes</DIV>
<DIV> </DIV>Enclosed photo of Hallet Davis Grand =
referenced
by Phil Ford in recent<BR>discussion of bridge agraffes. Piano =
was built
in 1890's and bridge system<BR>is still in good =
condition.
Photo courtesy of Moody Piano in Marlboro =
Ma.<BR> Tom
=
Driscoll<BR><BR><BR>><BR>><BR><BR><BR>-----------------------------=
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