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<DIV><FONT face=Arial>Though there are some "other" techniques being =
talked
about, I would stick with lacquer/acetone. The ratio of the =
mix will
depend on the amount of solids in the lacquer, the type of hammer and =
what you
are trying to accomplish. </FONT></DIV>
<DIV><FONT face=Arial>With S&S hammers I use a nitrocellulose =
lacquer
diluted with acetone in varying strengths: 3:1, 4:1 and 5:1. I =
will use
the stronger mixes in the upper range (1st and 2nd capo sections) and =
weaker
mixes going down. With the S&S hammer the mixture must =
penetrate under
the strike point. I actually apply the lacquer from the sides of =
the
hammer so that I can get it directly under the strike point and not =
let it
get to the crown--especially important in the low tenor. If I want =
to
bring out the attack a bit I will then apply a few drops (or less) =
directly on
the strike point. In situations where you need quick results =
(for
instance, pre concert prep) you can use plastic dissolved in =
acetone. The
S&S concert techs use one keytop (and front) dissolved in 8 oz. of
acetone. I would not use this solution for trying to build up the =
overall
firmness of the hammer (though some people do). Note that =
lacquer
solutions must be allowed to dry for at least a couple hours and better
overnight. They will continue to harden somewhat over the ensuing
weeks. </FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>By the way, I don't use hardeners on tensioned =
hammers
(Renner, Abel) except in very unusual situations. </FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>David Love</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV>----- Original Message ----- </DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=pianomitch@hotmail.com =
href="mailto:pianomitch@hotmail.com">Mitch
Ruth</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> July 19, 2001 8:12 =
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Shellac and =
Everclear</DIV>
<DIV><BR></DIV>
<DIV>List,</DIV>
<DIV> </DIV>
<DIV>I was just searching the archives for advice on "juicing"
hammers. I may have a need for doing so in the morning. =
Susan
Kline started a thread in which she mentions using shellac and alcohol =
as a
hardening agent. She also mentions that she likes to use shellac =
flakes
instead of premixed shellac. For those of you who use this =
concoction,
are the flakes a preference or a requirement to do a decent job?</DIV>
<DIV> </DIV>
<DIV>Thanks...</DIV>
<DIV> </DIV>
<DIV>Mitch Ruth</DIV>
<DIV>DeMossville, KY<BR><BR></DIV><BR clear=all>
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