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<DIV>André:</DIV>
<DIV> </DIV>
<DIV><FONT face=Arial color=#000000 size=2>Though not an inventor =
myself, I am
impressed with your dedication to developing and refining the 'art' =
of
piano functioning.</FONT></DIV>
<DIV><FONT face=Arial color=#000000 size=2>I thank you for that, =
and for sharing
with your 'peers'</FONT></DIV>
<DIV><FONT face=Arial color=#000000 size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Jim Kinnear<BR><A
href="http://www.pianoguy.com">www.pianoguy.com</A></FONT></DIV>
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style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=antares@euronet.nl =
href="mailto:antares@euronet.nl">antares</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Monday, April 04, 2005 =
12:27
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Oorebeeks =
Punch'ns</DIV>
<DIV><BR></DIV><BR>On 4-apr-05, at 9:28, Richard Moody wrote:<BR><BR>
<BLOCKQUOTE><?fontfamily><?param Times New =
Roman><?bigger><?bigger>Then how
else would you explain the improvemnt of touch and =
tone?<?/bigger><?/bigger><?/fontfamily><BR><BR><?fontfamily><?param =
Arial><?color><?param =
0000,0000,8080><?x-tad-bigger> <?/x-tad-bigger><?/color><?/fontfamil=
y><BR><BR><?fontfamily><?param Arial><?color><?param =
0000,0000,8080><?x-tad-bigger> <?/x-tad-bigger><?/color><?/fontfamil=
y><BR><BR><?fontfamily><?param Arial><?color><?param =
0000,0000,8080><?x-tad-bigger> <?/x-tad-bigger><?/color><?/fontfamil=
y><BR><BR><?fontfamily><?param Arial><?color><?param =
0000,0000,8080><?x-tad-bigger>I
didn’t hear any improvement in tone much less touch. I =
would
like to see this demonstrated. Lets sit together in the =
audience and
you tell me which notes have the special punching that I put in but =
you
don’t know where. Or you play that piano and tell me =
which notes
have the special punching. Until then, this is another bogus =
hype
to sell something that has no special merit. But =
if I am
proven wrong I will give $100 to your favorite charity. =
---ric <?/x-tad-bigger><?/color><?/fontfamily><BR><BR><?fontfamily><=
?param Arial><?color><?param =
0000,0000,8080><?x-tad-bigger> <?/x-tad-bigger><?/color><?/fontfamil=
y><BR></BLOCKQUOTE><BR><BR>Well
Richard Moody, then read the mail Stephen Birket just sent to the
list.<BR><BR>(Dr Stephen Birkett, Associate Professor<BR>Department of =
Systems
Design Engineering<BR>University of Waterloo, Waterloo ON Canada N2L
3G1<BR>Director, Waterloo Piano Systems Group<BR>Associate Member, =
Piano
Technician's Guild)<BR><BR>He is quite enthusiastic about the Wurzen =
punching
and his investigations prove what I have said all along.<BR>I will not =
any
longer take part of the discussion because I have done my work.<BR>I =
have
brought these things into life and into the world.<BR>What you guys =
want to do
with it is your own business.<BR>I speak for myself only when I say =
that I am
extremely happy with my punchings and I know perfectly well what I am
saying.<BR><BR>In an earlier e-mail to the list, I have said that
:<BR><BR><B>quote</B><BR>I think that I may say here that it should be =
clear,
after all my contributions to this list, that I am not a bs'er , a =
fraud, or a
fake story teller.<BR>These front punchings make all the difference in =
regard
to how a piano feels and sounds and they have actually changed and =
enriched my
concepts of 'the making of tone'. It has however become clear that, in =
order
to get a distinguishable result from these punchings, the instrument =
has to
meet certain conditions <BR><B>unquote</B><BR><BR>If you nevertheless =
choose
to call it "another bogus" then I feel sorry I spent so much time on
apparently nothing(?)<BR><BR>Thank you very much.<BR><BR>André
Oorebeek<BR><BR></BLOCKQUOTE></BODY></HTML>