<HTML><FONT FACE=arial,helvetica><FONT SIZE=2>Dear Dale,
<BR>Our requirements for the width of the pieces of wood to make a Panel are 3"
<BR>minimum & 6 " maximum. There have been fears of the extra wide pieces
<BR>"moving" , but we have not found this to be the case. We do not want vertical
<BR>grain angle tobe under 60degrees. We believe in the standard 90 degree
<BR>princi-
<BR>pal in transmission of energy. We specify reversal of direction of long grain
<BR>both
<BR>in the pieces of a panel & also in the Ribs. We use low density wood in the
<BR>Bass end & high density wood in the Treble end. We do not believe in diaphram
<BR>Panel tapering. Most important is the inside Panel taper must be aligned with
<BR>the
<BR>start of the Rib flare. We build Soundboards for long sustain in homes &
<BR>short
<BR>projection & long projection & short sustain in large spaces such as halls. Of
<BR>course, all of this is subject to how high or low the tension loading is. A
<BR>number of years ago we built an old 1887 Steinway that had low tension scale &
<BR> The
<BR>sound that came off that piano was fabulous. It was A-440. When you played,
<BR>you could hear the "3rd's" & 6th's roll off the Board like a bunch of marbles
<BR>rolling & the vibrations & resonance when you played went up your hands &
<BR>arms. It was uncanny! There are many mysteries in this craft & it helps to
<BR>keep us alive. One of the most knowledgeable people about
<BR>piano design & construction is Del Fandrich. Well, Dale, talk to you later.
<BR>Willis, David Snyder </FONT></HTML>