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<DIV><FONT face=Verdana size=2>Please take some pictures and keep a =
visual
journal of the work you do on this piano. If it is truly Paderewski's =
piano,
what a find, and restoring it - what a story... with Wurzen felt ...
</FONT></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=fordpiano@earthlink.net =
href="mailto:fordpiano@earthlink.net">Phillip
Ford</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Sunday, May 09, 2004 5:51 =
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> RE: Weber with 4 =
string
unisons</DIV>
<DIV><BR></DIV>
<DIV>Interesting. There's another one of these on the West =
Coast, as
it's on its side in my shop in San Francisco, although I was told that =
it had
been in a church in Michigan for much of its life. The piano is =
a basket
case (literally - it came to me in boxes - maybe it's a 'box =
case'). I
think it was already worn out, but then the church burned down, which =
didn't
do anything to improve the condition of the piano, needless to =
say.
Funny you should mention Paderewski, as the story I was told was that =
this was
'Paderewski's piano', whatever that means. I'm not sure how you =
would go
about proving such a thing. I suppose it's like having a piece =
of the
true cross. I gave some credence to the story since it had four =
string
unisons in the top two sections, which I had assumed was unique, but =
now I see
is not. Another feature of this piano - it's obviously set up =
for
travelling. The frame is cut away in a particular fashion and =
there are
metal brackets nested in it to which the legs and lyre are attached =
when the
piano is on its side. Another reason I gave at least a little =
credence
to the Paderewski story. One of those rebuilding projects for =
when I
have some spare time (which means it will probably be inherited by =
another
technician). I'd love to see this one in good shape. I'm =
sure it
will be no problem ordering some new 4 string agraffes from one of the =
supply
houses. Maybe some day....</DIV>
<DIV><BR></DIV>
<DIV>Phil Ford</DIV>
<DIV><BR></DIV>
<BLOCKQUOTE cite="" type="cite"><FONT =
face=Arial>Dave.</FONT></BLOCKQUOTE>
<BLOCKQUOTE cite="" type="cite"><FONT face=Arial>I took care of =
one of these
for years. There were only a few made. At one time there =
was a
fellow trying to find all of them in the country and it turned out =
the
majority were here on the West Coast. Paderewski used them =
when he was
feuding with Steinway and often the program would even mention the =
use of
the Weber. </FONT></BLOCKQUOTE>
<BLOCKQUOTE cite="" type="cite"> </BLOCKQUOTE>
<BLOCKQUOTE cite="" type="cite"><FONT face=Arial>... I'd =
love to see
one in good shape.</FONT></BLOCKQUOTE>
<BLOCKQUOTE cite="" type="cite"> </BLOCKQUOTE>
<BLOCKQUOTE cite="" type="cite"><FONT face=Arial>Hope this
helps,</FONT></BLOCKQUOTE>
<BLOCKQUOTE cite="" type="cite"><FONT =
face=Arial>jeannie</FONT></BLOCKQUOTE>
<BLOCKQUOTE cite="" type="cite"> </BLOCKQUOTE>
<BLOCKQUOTE cite="" type="cite"><FONT size=-1>Jeannie Grassi,
RPT<BR>Associate Editor, Piano Technicians Journal</FONT>
<BLOCKQUOTE><A href="mailto:jcgrassi@earthlink.net"><FONT
size=-1><BR></FONT></A></BLOCKQUOTE>
<BLOCKQUOTE><FONT face=Arial size=-1>Old Weber =
fans,<BR><BR>Today I
happened upon an old Weber 9 foot concert grand that was not in =
the
greatest shape, though in its time, it must have been REALLY =
magnificent.
The strings were pretty rusted, though at pitch, and =
tunable(despite
having been installed more sloppily than I've ever seen). I didn't =
get to
tune the whole thing, just looked it over a bit.<BR><BR>The =
interesting
feature is the four string unisons above the treble/tenor strut. =
I
wish the piano was in good shape so I could really evaluate what =
musical
effect this would create. Has anyone on this list come =
across one of
these in decent condition? Tuning them must be a bit of a =
challenge.
The strings of each note are so close together, that they =
seem quite
difficult to get a mute between.</FONT></BLOCKQUOTE>
<BLOCKQUOTE><FONT face=Arial size=-1><BR></FONT></BLOCKQUOTE>
<BLOCKQUOTE><FONT face=Arial size=-1>Just another of life's =
interesting
pianos.</FONT></BLOCKQUOTE>
<BLOCKQUOTE><FONT face=Arial size=-1><BR></FONT></BLOCKQUOTE>
<BLOCKQUOTE><FONT face=Arial size=-1>Dave
Stahl</FONT></BLOCKQUOTE></BLOCKQUOTE>
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