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<DIV><FONT size=2>If you mean that the staple is important in high =
humidity
areas to ensure the hammer doesn't come apart, I'm not sure I =
agree. My
experience is that if the glue joint fails, no staple will hold it
together. </FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>As far as the hammer experiencing changes in =
tension, I must
admit that living in an environment with fairly constant humidity year =
round
(and a bit on the high side), I've never thought about tension in the =
hammer
changing from season to season and with it the tone. On the =
surface it
makes sense. I wonder though whether the change is enough to =
create a real
perceptible difference, or if it does, how you would separate that =
change from
tonal changes that might occur as a result of changes in the crown =
of the
board. Difficult to tease out all the variables. =
</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>The other question, however, still remains. =
How
important is the staple for creating tension in the lower part of the
hammer. The proponents of the Renner blue evidently feel that =
it is
unimportant. I know from listening to Brooks and the Abel =
clan that
they feel it is a crucial part of the hammer. Isaac O's =
remarks
suggest that the stapled Renner is a different animal than the Renner =
blue in
spite of the similarities in felt type. I have to say that my =
experience
suggests that the Renner blue has a high degree of tension in the felt =
which is
responsive to needling. The Renner hammer used for H. =
Steinway is
also highly tensioned, and much harder at the outset. My =
experience tells
me that the needling requirements to get the H. Steinway hammer to =
open up
are just that much greater. But when all is said and done, is what =
you
have left all that much different? I haven't really done a side by =
side
comparison. Maybe somebody out there has. I'd be interested =
to hear
what they think. </FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>One interesting sidebar to this is that I have found =
out the
hard way that you need to be careful when (if) preneedling the Abel
hammer. It is very easy to release a tremendous amount of =
tension
into the crown of the hammer which can make the hammer very bright and =
difficult
to work with. Whereas I almost always preneedle Renner =
hammers
feeling for some give in the shoulders with a firm squeeze as I go, I =
find that
a slower approach is more advisable with Abel hammers. =
</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>David Love</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2></FONT><FONT size=2></FONT> </DIV>
<DIV> ----- Original Message ----- </DIV>
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<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=caute@optusnet.com.au =
href="mailto:caute@optusnet.com.au">Tony
Caught</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> September 21, 2002 7:43 =
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: hammer felt =
(Renner
Blues)</DIV>
<DIV><BR></DIV>
<DIV>Dave,</DIV>
<DIV> </DIV>
<DIV>You wrote</DIV>
<DIV> </DIV>
<DIV>
<DIV><FONT size=2>The importance of the staple is somewhat
controversial. There are those who argue that it adds tension to =
the
lower part of the hammer and those who say it doesn't make any
difference. The Renner blue is, of course, without a =
staple.
</FONT></DIV></DIV>
<DIV> </DIV>
<DIV>Not having a staple would mean that you cannot use this =
hammer in
high humidity conditions. However,</DIV>
<DIV>As the hammer absorbs moisture from the air, the tension created =
varies
greatly as does the tone. Possibly being not stapled would allow this =
increase
of tension to spread more evenly over the hammer and not be restricted =
by the
staple.</DIV>
<DIV> </DIV>
<DIV>Tony Caught<BR><A
=
href="mailto:caute@optusnet.com.au">caute@optusnet.com.au</A><BR></DIV>=
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