<HTML><FONT FACE=arial,helvetica><FONT SIZE=2>Hi All-<BR>
<BR>
This discussion made me remember what I had written a few years ago. This is=
a post from rec.music.makers.piano from August 16, 1998, that I wrote in th=
e middle of the night. Amusing, at least.<BR>
Lisa <BR>
<BR>
</FONT><FONT COLOR="#660066" style="BACKGROUND-COLOR: #ffffff" SIZE=2=
FAMILY="SANSSERIF" FACE="arial" LANG="0">>Well my wife would like =
narrower keys, I need more room between the sharps.>Variable key width?<B=
R>
<BR>
</FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2=
FAMILY="SANSSERIF" FACE="arial" LANG="0">A variable width keyboard co=
uld be worked out.....Imagine an upright piano...grands have added obstacles=
to design around. You could have two versions. A keyboard built for l=
arger hands which expands and extends beyond the case of the piano or a keyb=
oard that starts at normal width and shrinks (keys cut narrower to accommoda=
te).<BR>
<BR>
With a seriously modified keybed, the keys would be attached to a series of =
spreaders, like a continuing scissor mechanism (Spanner? Can't remembe=
r the word for this mechanism -- think Hoberman) which would move the keys a=
part, expanding or shrinking the keyboard to the pianist's preference. It wo=
uld move on a wormgear with a knob for the pianist to turn. I imagine =
people with large fingers could tolerate up to a quarter inch space between =
the keys. <BR>
<BR>
Using my 1896 Steinway upright as an example, the white keys are 7/8" wide. =
The spaces between the keys are 1/16". If the spaces were expanded to =
1/4", it would expand the whole keyboard by 12 9/16". The sides of the=
piano surrounding the keybed would have to be separate pieces attached to t=
he keybed, so they could extend out from the sides of the case (maybe with a=
bellows looking fabric filling in the space or thin wood that rides in slot=
s, veneered and finished like the case).<BR>
<BR>
To make the keys 'bend,' you could hinge them (a finger joint that is hinged=
after the balance rail). The point where the capstan touches the wipp=
en cloth would have to be a more firm joint, maybe like some of those old up=
rights that had cup shaped capstans where the stickers fit into them. =
Also, to make up for the necessary added length, a universal joint instead o=
f the regular sticker flange would be necessary. For the farthest out =
keys ... well, some of them just may have to become useless in the expanded =
position or some adjustments would have to be done by the pianist. Or =
... how about spring loaded key extensions to still reach the wippens? =
That means a stopper at the back of the keybed which would create unwanted =
friction ... oh well. <BR>
<BR>
Another wall. Not bad for a 3 A.M. whim, huh?<BR>
<BR>
Lisa Weller RPT<BR>
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