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<p>Delwin D Fandrich wrote:
<blockquote TYPE=CITE>> I am progressing through it yes.... tho I dont
see any chapter on "how to
<br>build the best soundboard" :)
<br>>
<br>> I would be interested to hear his << soundboard specific >>
thoughts on
<br>all this. Why dont you put some of all this too him ?
<p>Actually, I did. He was rather horrified at the concept of the
<br>compression-crowned soundboard technique. Once he understood it.
<p>As has been, I might add, every other wood technologist I've consulted
with
<br>over the years.
<p>Del
<br>
<br><a href="https://www.moypiano.com/resources/#archives"></a> </blockquote>
Grin... I've said it many times... you make a very convincing case for
RC boards and against CC boards. Too convincing if you get my meaning.
In the end it all adds up so very very well CC boards are rather obviously
insanity.... yet they still get produced and we never hear from their side.
Unsettling, and continues to become more unsettling as I slowly assimilate
more and more of this side of piano works.
<p>Let me ask you something if I may.... would you say that the so called
<< Steinway sound >> could be exactly preserved if they made the
move to RC boards ?
<p>RicB
<p>--
<br>Richard Brekne
<br>RPT, N.P.T.F.
<br>UiB, Bergen, Norway
<br><A HREF="mailto:rbrekne@broadpark.no">mailto:rbrekne@broadpark.no</A>
<br><A HREF="http://home.broadpark.no/~rbrekne/ricmain.html">http://home.broadpark.no/~rbrekne/ricmain.html</A>
<br><A HREF="http://www.hf.uib.no/grieg/personer/cv_RB.html">http://www.hf.uib.no/grieg/personer/cv_RB.html</A>
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