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<DIV>
<DIV> Hi Ric</DIV>
<DIV> For Phil Sake let's make the distinction and ask are these=
Ronsen Wurzen or Euro's?</DIV>
<DIV> Each will be treated differently but traditional procedures are =
in
order</DIV>
<DIV> RIc your advice will work well on Ronsen Wurzens but =
with
way less amounts of needling which is typical in the case wi=
th
the Yankee version.</DIV>
<DIV> Regards & welcome back</DIV>
<DIV> Dale Erwin</DIV>
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style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><=
FONT
style="BACKGROUND-COLOR: transparent" face=Arial color=#000000 size=
=2>Nothing
really magical here Mark. Traditional voicing proceedures work <BR>b=
est
with Wurzen felt pressed at reasonable levels. You should have to <BR>open=
up
the hammers a bit in the middle sections, tho you shouldnt have <BR>to dea=
l
with any draconian needling proceedures. Usually somewhere <BR>betwe=
en
20-40 deep needling stabs (with 3 needles in your tool) stagered <BR>up an=
d
down the shoulders is enough to get a fine basic first voice.
<BR>Usually you end up with most of your needling in the midbass through t=
he
<BR>tenor and into the C5-C6 octave area. Lowest bass may need a bit=
of
<BR>juice, and the highest range (at least from F7 upwards) usually
always <BR>needs a bit of help.<BR><BR>Get ahold of Andre for some very go=
od
specifics advice on needling. But <BR>in general your first voicing is abo=
ut
opening up the hammers for power <BR>and the basic tone picture you are af=
ter.
Not much is done up close to <BR>the crown. Reshaping and mating is
done, along with any string leveling <BR>needed before going on to the sec=
ond
voicing. I find it nice to wait <BR>over nite after the first voicing
anyways.<BR><BR>Cheers<BR>RicB<BR></FONT></BLOCKQUOTE></DIV>
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