<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; = charset=iso-8859-1"> <META content="MSHTML 6.00.2716.2200" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT face=Arial size=2>Attention all expert and experienced = grand regulators:</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>Almost new Chinese-made Steck small = grand. Seems a very nice piano but the Una Corda won't regulate -- you can have it = correct for the bass or for the tenor/treble, not both.</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>Questions:</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>1. Assume best to regulate for = tenor/treble then shift bichord bass hammer angles slightly to regulate ... = yes?</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>2. Do we want the trichords to = completely miss one string or have that string just knicked by the hammer? (Troublemaker's = question: Why the term una corda, when we are really striking duo corda?)</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>3. Likewise, do we want the bichords to = become monochords with the pedal depressed, or have the hammer just knick the = second string?</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>Thank you ever so much,</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>Alan Barnard</FONT></DIV> <DIV><FONT face=Arial size=2>Shifting Keys in Salem, MO</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2></FONT> </DIV></BODY></HTML>