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<DIV>Having the dampers lift at let-off would definitely be too
late. What happens is when you change to lifting the damper when the
hammer is, say, 2/3 of the way to the string is that it is closer to le=
t
off and feels more like a longer, contiguous bump, rather than two separate
ones. And as Dean noted, the fingers have more speed at the
point where the key contacts the underlever. Makes a big difference.</=
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<DIV> </DIV>
<DIV>You can always try it on your action model...</DIV>
<DIV> </DIV>
<DIV>I'll be doing the warranty tuning on the 1st piano I did this on--=
some
6 months ago-- next week. I'll give a report, and am fully prepared to=
go
become Tech Flambe.</DIV>
<DIV> </DIV>
<DIV>Dave S.</DIV>
<DIV> </DIV>
<DIV>In a message dated 1/19/2006 1:42:11 P.M. Pacific Standard Time,
ilvey@sbcglobal.net writes:</DIV>
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<P>Certainly we can make "small" adjustments, but lifting at let-off =
is a
way to late for me...</P>
<P><BR>David Ilvedson, RPT<BR>Pacifica, California<BR><BR><BR><BR></P>
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<HR>
Original message<BR>From: Erwinspiano@aol.com<BR>To:
pianotech@ptg.org<BR>Received: 1/19/2006 7:32:48 AM<BR>Subject: Re: Lighte=
ning
touch by changing damper timing redux<BR><BR><FONT face=Arial color=#0=
00000
size=2>
<DIV>
<DIV align=left> <STRONG><FONT size=3>
Richard</FONT></STRONG></DIV>
<DIV><STRONG><FONT size=3> Please hear me & with all due
respect. I can feel that .</FONT></STRONG></DIV>
<DIV><STRONG><FONT size=3> Actually, IMHO, an 1/8 th i=
nch in
damper lift timing can make a <U><FONT size=4>HUGE</FONT> </U> diff=
erence
in action feel especially with high ratio actions. Frankly it doesnt=
'
concern me what Seiler might think but rather my
clients.</FONT></STRONG></DIV>
<DIV><STRONG><FONT size=3> There is a sweet spot for ,most p=
ianos,
& when setting this up I find it most often that spot to be=
at
half travel when the key aciton cycle is at it's most efficient & fric=
tion
free spot in movement Picking up the damper prematurely can
increase the feel of touch weight or heavy touch syndrome dramatically on =
some
actions. I'm always looking for the optimum sweet spot when
setting up a custom balnced action so that I don't inadvertantly sabatoge =
all
that fiddlin & didlin I just went thru to create a <U>very fluid</U>
action feel.</FONT></STRONG></DIV>
<DIV><STRONG><FONT size=3> Regards</FONT></STRONG></DIV>
<DIV><STRONG><FONT size=3> DAle Erwin</FONT></STRONG></DIV>
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e=2>
<P class=MsoNormal><FONT face=Arial size=4><SPAN
style="FONT-SIZE: 14pt; FONT-FAMILY: Arial">The damper timing I though=
t was
determined by the manufacturer. When the key goes down it meets a
couple of resistance points. <FONT size=4><U>One, the end of the=
key
contacting the damper lift lever (but who can feel that?)</U></FONT> , a=
nd
two, the jack contacting the let off button. (which everybody can feel)
Since the contact between the key and damper lift lever is w=
hat,
1/8 inch leeway what difference does it really make? The most
important consideration is that dampers lift as a unit as the damper ped=
al
is depressed so that “half dampening” can be utilized. <=
/SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial size=4><SPAN
style="FONT-SIZE: 14pt; FONT-FAMILY: Arial">I can imagine asking any o=
f the
piano makers including Seiler who show up for the National Convention wh=
ere
they prefer the key to hit the damper lever and why.
---ric <A title=http://www.pnotec.com/
href="http://www.pnotec.com/">www.pnotec.com</A>
</SPAN></FONT></P></FONT></BLOCKQUOTE></DIV>
<DIV></DIV>
<DIV> </DIV></FONT></DIV></FONT></BLOCKQUOTE></DIV>
<DIV></DIV></DIV>
<DIV> </DIV>
<DIV><FONT lang=0 face=Arial size=2 FAMILY="SANSSERIF" PTSIZE="10"=
>Dave
Stahl<BR><BR>Dave Stahl Piano Service<BR>650-224-3560<U><BR><A
href="http://www.dstahlpiano.net/">http://dstahlpiano.net/</A></U></FONT><=
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