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<DIV>Thanks, Dale (and everyone else),</DIV>
<DIV> </DIV>
<DIV>Being the hero is good. There were a few low moments during =
the
process when I thought I might end up being the goat (remember Charlie =
Brown on
the pitcher's mound saying, "This is it, I can be the hero or =
the
goat." ?). </DIV>
<DIV> </DIV>
<DIV>Actually, I'm not convinced that everyone appreciates the =
instrument
(but, is there an instrument EVERYONE likes?). There has been such =
a
strong tradition of extremely bright voicing around here (really =
loaded up
with lacquer) and this piano is definitely different. I =
voiced it to
be as musical as possible (IMO), and since I was also =
expecting it
always to be amplified, I was very careful to avoid potential =
"ugly."
So, on Friday when they said no miking, I thought I was headed for the =
goat
pen. I *knew* the piano carried the hall by itself, but would it =
cut it
with a big orchestra? My heart was in my throat and I was =
literally
shaking when I sat down to listen to the rehearsal. Ah, =
the
drama of it all. :-)</DIV>
<DIV> </DIV>
<DIV>Counting my blessings......</DIV>
<DIV> </DIV>
<DIV>Barbara</DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=Erwinspiano@aol.com
href="mailto:Erwinspiano@aol.com">Erwinspiano@aol.com</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, May 03, 2005 =
9:45 AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: The Big, Dead Hall =
(the
happy ending)</DIV>
<DIV><BR></DIV><FONT id=role_document face=Arial color=#000000 =
size=2>
<DIV>
<DIV> Barbara</DIV>
<DIV> Congratulations.!!!!!!!!!! It feels good =
to be
the Hero doesn't it?</DIV>
<DIV> You have indeed learned a very valuable lesson. I always =
remember
that working on Ds (in large halls) is always a different kind of =
animal &
once you have one success like you are describing you will never =
forget it
& it helps you build experience to apply to the next difficult =
situations.
You also know how a good D really sounds. Even with hose terrible =
lacquered
hammers. grin, Just kidding. I like the way they sound when they are =
right.
I'm just ribbing my friend Andre. It made me feel good to read your
evolutionary journey.</DIV>
<DIV> Regards</DIV>
<DIV> Dale Erwin</DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px =
solid"><FONT
style="BACKGROUND-COLOR: transparent" face=Arial color=#000000 =
size=2><BR>> I learned an incredible amount on this job. =
I had
posed the <BR>> question a year ago last spring on this =
list
about whether or not <BR>> bigger hammers were better for =
projection in a
big place like this. I <BR>> can answer that now. No, =
they
have to be juuuuuust right (like <BR>> Goldilocks and the three =
little
bears). I even discovered that they <BR>> don't have to be =
voiced
like granite to carry (at least in this <BR>> hall). So =
many of you
helped me, whether you know it or not. Thanks <BR>> to =
those of you
with whom I had private e-mail exchanges. It was <BR>>
amazing--several times when I would have a question, someone on the =
<BR>>
list would oblige me and ask that certain something I needed to =
know.
<BR>> I couldn't have done it without you.<BR>> =
<BR>> If
there is music to describe my adventure, I would say it's Rossini's =
<BR>>
Overture to La Cenerentola. Go have a listen--the tentative =
<BR>>
beginning, the building crescendo and the joyous end. <BR>>
<BR>> <BR>> Again, many thanks to all of =
you,<BR>>
<BR>> Barbara Richmond, RPT</FONT></BLOCKQUOTE></DIV>
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