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<DIV><FONT color=#800080>Hello Gene Nelson. You will find a better =
chance of
someone responding to your post if you use an appropriate subject line =
(many
will just delete no subject). And it is nice to sign your =
posts.</FONT></DIV>
<DIV><FONT color=#800080></FONT> </DIV>
<DIV><FONT color=#800080>I will intersperse a few thoughts I have on =
your
questions. I don't think I really have any answers for you, as so much =
of this
is still a bit nebulous to me also. But maybe together we can bug =
someone
knowledgeable into responding!</FONT></DIV>
<DIV><FONT color=#800080></FONT> </DIV>
<DIV><FONT color=#800080>Terry Farrell</FONT></DIV>
<DIV> <SPAN id=__#Ath#SignaturePos__></SPAN> </DIV>
<DIV>----- Original Message -----
<DIV>From: "Nelson. Gene (PWA)" <<A
href="mailto:nelsong@SacCounty.NET">nelsong@SacCounty.NET</A>></DIV>=
<DIV>To: <<A =
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A>></DIV>
<DIV>Sent: Sunday, January 19, 2003 1:43 AM</DIV>
<DIV>Subject: (no subject)</DIV></DIV>
<DIV><BR></DIV>
<DIV>> Please help a newbee understand. <BR>> <BR>> I am trying =
to
picture where the stiffness is in soundboards. If you<BR>> consider =
the
typical compression type that has ribs and board pressed into a<BR>> =
caul,
then the ribs are pulling the board toward the flat side or the<BR>> =
position
that the ribs want to come to rest. Is this creating stiffness =
in<BR>> the
soundboard?</DIV>
<DIV> </DIV>
<DIV><FONT color=#800080>The ribs are trying to flatten out, but =
the panel
will only compress so much, so you end up with some crown. So I think =
your
question is: is compression-generated crown responsible for =
soundboard
stiffness. Good question. Or is the stiffness simply a characteristic of =
the
material properties and dimensions. (My gut tells me the crown will =
add to
the stiffness, but I know what I am picturing is the dome-and-buttress =
thing
which does not appropriately apply.)</FONT><BR> <BR>> The reason I =
ask is
that recently I had a chance to be instructed on how to<BR>> handle a =
new
soundboard out of the box without ribs attached. It quickly<BR>> =
bacame
obvious how fragile they are in this state. Any mishandling =
could<BR>> easily
cause a fracture. Then I think about the grain orientation and =
how<BR>> the
bridges are aligned to this with exception of the extreme treble =
and<BR>>
maybe some of the bass. Along the grain is the weakest part of the board =
-<BR>> am I wrong? So where is the stiffness. </DIV>
<DIV> </DIV>
<DIV><FONT color=#800080>I have noted the same thing. The unribbed =
panel can be
like a wet noodle. But only ACROSS the grain (perpendicular to the grain =
or long
axis of the tree). The panel has a fair bit of stiffness along the =
grain. The
long bridge will add to the along-grain stiffness. After ribs are glued =
to panel
more-or-less across the grain, the soundboard will have stiffness both =
along and
across the grain.</FONT></DIV>
<DIV> <BR>> Also curious, is board stiffness something that can =
be
calculated?</DIV>
<DIV> </DIV>
<DIV><FONT color=#800080>No doubt! Del?</FONT></DIV>
<DIV> </DIV>
<DIV>> Is it a factor in rib design?</DIV>
<DIV> </DIV>
<DIV><FONT color=#800080>I'm sure overall stiffness is going =
to be the
combination of the physical properties of the panel, =
bridge and rib
(and maybe the shape, as in crown?).</FONT></DIV>
<DIV> </DIV>
<DIV>> Is it used to calculate how bearing is supported? </DIV>
<DIV> </DIV>
<DIV><FONT color=#800080>I suspect the answer is that is should be. =
I'll bet
there are many factory sad/horror stories related to this not being =
taken into
account?</FONT></DIV>
<DIV> </DIV>
<DIV>> Or is board stiffness related only to musical qualities? =
</DIV>
<DIV> </DIV>
<DIV><FONT color=#800080>Another I don't know the answer to. I suspect =
it will
also relate to soundboard longevity.</FONT><BR> <BR>> Thank you =
very
much.<BR></DIV>
<DIV><FONT color=#800080>And thank you for posting some interesting =
questions.
Let's hope some knowledgeable soul can shed some light
here.</FONT></DIV></BODY></HTML>