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<DIV><FONT color=#000000 size=2>Kestens. The devil plays but I want =
with a
better performance. If you may help me I thanks.Rogerio =
Cunha</FONT></DIV>
<BLOCKQUOTE
style="BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
<DIV><FONT face=Arial size=2><B>-----Mensagem =
original-----</B><BR><B>De:
</B>Peter KESTENS <<A
=
href="mailto:KESTENS.P@Debcom.be">KESTENS.P@Debcom.be</A>><BR><B>Par=
a:
</B><A href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> =
<<A
=
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A>><BR><B>Data:
</B>Sexta-feira, 13 de Março de 1998 18:10<BR><B>Assunto: =
</B>Re:
Cristofori<BR><BR></DIV></FONT>
<DIV><FONT color=#000000 face=Arial size=2>Rogerio, =
</FONT></DIV>
<DIV><FONT color=#000000 face=Arial size=2></FONT> </DIV>
<DIV><FONT color=#000000 face=Arial size=2>I think you've had =
your wet
dream; yes, lucky guy, I hope for you you can make that old devil =
playing
and sounding again. Much succes with all the work you'll
encounter. </FONT></DIV>
<DIV><FONT color=#000000 face=Arial =
size=2>Peter</FONT> </DIV>
<DIV><FONT color=#000000 face=Arial size=2>'t
MUZIEKINSTRUMENTENATELIER<BR>PETER KESTENS<BR>BELGIUM<BR><A
=
href="mailto:KESTENS.P@DEBCOM.BE">KESTENS.P@DEBCOM.BE</A></FONT></DIV>
<BLOCKQUOTE
style="BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; =
PADDING-LEFT: 5px">
<DIV><FONT face=Arial size=2><B>-----Oorspronkelijk
bericht-----</B><BR><B>Van: </B>Rogerio Cunha <<A
=
href="mailto:rogeriocunha@openlink.com.br">rogeriocunha@openlink.com.br=
</A>><BR><B>Aan:
</B>Pianotech Mensagem <<A
=
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A>><BR><B>Datum: =
</B>donderdag 12 maart 1998 15:53<BR><B>Onderwerp:
</B>Cristofori<BR><BR></DIV></FONT>
<DIV><FONT color=#000000 size=2>Hello Ane and Robert. Now =
the history of
the Pianoforte. I found it some years ago in a old house without =
strings, with the action in parts and out of the piano. I was =
surprised
and this was the first time that I was in front of a wonderful =
piece but
in a very bad condition.</FONT></DIV>
<DIV><FONT color=#000000 size=2>The first thing that I =
did was to
send a Fax to PTG and ask for someone that could give me more
information about it and the only thing that I could read on it =
was the
year, the name of GAMBIAZO, who makes it, and some numbers on =
the bridge
6/0, 5/0, etc.etc</FONT></DIV>
<DIV><FONT color=#000000 size=2>The PTG send me a fax with =
the phone
number of Ray Chandler (RTP). I talk with him and he said me =
that was
important speak with JONH KOSTER , Conservator & Associate =
Professor
of Museum Science of South Dakota University. To him I =
send a
video, photos, a map with the speaking length of the strings. =
>From him I
received a letter and on it he said that was a very important =
piece and
that because the string of each end was double and that seems be =
originally a harpsichord and that the Shrine To Music =
Museum have
one piece just like the mine made by Antunes but that the action =
of the
mine isn't a Cristofori and that is a action of the mine is more =
primitive than the piano actions made by other Portuguese makers =
in the
1760s. After I was visited by Mr..Gerard Doderer, a German that =
lives in
Portugal, and Mr.. Von Der Meer another German that was over the =
pianoforte about one week and that said me that is was a =
harpsichord
converted in a pianoforte and they included this pianoforte on =
the book
about early Portuguese harpsichords and pianos. This book says =
that the
instrument that I have is a authentic one!</FONT></DIV>
<DIV><FONT color=#000000 size=2>After this I think that the =
goal of my
life as a piano tuner and technician is to construct a =
Cristofori action
to it. Would be possible? I think that yes because in piano we =
may do
everything.Rogerio Cunha - IC Member of the PTG - Rio -
Brasil</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>