Yes we heard the story, only nazi high level scientifics where allowed to comes to America after the war, Lernead how in a recent document on the CIA. But Hamburg pianos where not ------------------------------------ Isaac OLEG accordeur - reparateur - concert oleg-i@noos.fr 19 rue Jules Ferry 94400 VITRY sur SEINE tel: 033 01 47 18 06 98 fax: 33 01 47 18 06 90 mobile: 033 06 60 42 58 77 ------------------------------------ > -----Message d'origine----- > De : caut-bounces@ptg.org [mailto:caut-bounces@ptg.org]De la part de > Roger Jolly > Envoye : samedi 15 novembre 2003 06:26 > A : College and University Technicians > Objet : Re: [Experts] Steinway New York vs Hamburg > > > At 08:56 PM 11/14/2003 -0600, you wrote: > >Wim, > > > >OK, you want opinion? Here's mine...they're both excellent > pianos. Made by > >a superb company with a long history. The NY sound is > "growly," full, lots > >of fundamental with pretty sparkle in the treble. The > Hamburg sound is > >lighter, more "crystalline," less fundamental, more high > partials. Both > >beautiful in their own way. Which is a "better" car - > Jaguar or Mercedes? > >Depends who's driving, and what they want and expect. > Either one is going > >to deliver a hell of a ride. It's all subjective. My 2 cents... > > > >Mary Smith > > Hi Mary, > Well put. > Just an Observation some of the finest recordings of all > time were, and > is still, being done on the NY pianos. > Rubinstein, Howeritz, ect. No Hamburgs allowed. > > Now I run and duck. > Phil Bryant > > > _______________________________________________ > caut list info: https://www.moypiano.com/resources/#archives >
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