This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Re: [CAUT] NASM StandardsFor "usage" in Step 2, the Guidelines help = users clarify what their target is: concert-level, etc. That part is = invaluable -- I love how it scales down from something like "Weekly = attention" to "Tune twice a year". It's an eye-opener! --Cy Shuster-- Bluefield, WV ----- Original Message -----=20 From: Fred Sturm=20 To: caut=20 Sent: Tuesday, June 21, 2005 8:42 PM Subject: Re: [CAUT] NASM Standards Hi Dave, Thanks for the heads up. We will definitely provide some input. My = initial thoughts are: Self-evaluation - guidelines to help in that process 1) Consult with your piano technician=20 2) Evaluate your inventory: age and condition of pianos, suitability = of models for usage 3) Pianos purchased and/or major rebuilding/remanufacturing = accomplished within the past ten years; 20 years. 4) Plan for future purchase/rebuild/remanufacture 5) Maintenance plan: what is done on a regular basis to pianos in = addition to tuning and emergency repair? How much time is allocated per = piano for tuning? For additional work? 6) The Guidelines are available as a reference. [Note that the process of answering these questions will make = virtually every faculty member/administrator involved much better = informed than they are at present, and will lead them to think a little = differently] NASM evaluation: The CAUT committee of the PTG would be willing to work with you in = developing a program whereby technicians form a part of the on-site = evaluation team, in situations where that seems to be warranted. We also = volunteer to aid in examining the portion of the written self-evaluation = dealing with pianos, offering suggestions as to whether programs are = adequate, realistic, etc, and how they might be improved. In general, = all programs should be able to show that they have planned for regular = replacement of instruments, for rebuilding where that is feasible and = cost-effective, and for maintaining instruments at a high performance = level - particularly performance, piano studio, and piano major practice = room instruments. And they should be staffed (whether on an employee or = contract basis) with an adequately trained technician. If anyone has additional suggestions (this will be expanded and = better written in any case), please chime in. Regards, Fred Sturm University of New Mexico=20 On 6/21/05 10:43 AM, "Porritt, David" <dporritt@mail.smu.edu> wrote: I just got an email from our Director saying:=20 "The National Association of Schools of Music (NASM) is conducting a = multi-year review of its accreditation standards and your assistance is = requested. The NASM Standards have a broad impact on music in higher = education. All of us have an interest in developing the best possible = standards." =20 There is an FAQ about this review process here = <http://nasm.arts-accredit.org/index.jsp?page=3DFAQs%3A+NASM+Standards+Re= view> . The entire NASM Handbook is available in .pdf format here. = <http://nasm.arts-accredit.org/site/docs/NASM%20Handbook%202003-2004%20PD= F/NASM%20HANDBOOK%202005-2006.pdf>=20 I downloaded the handbook and searched for the word "piano" and = found that in the 216 pages of standards for an NASM accredited = institution, the word piano appeared only 9 times. =20 I know that PTG and the CAUT committee has wanted to have more input = in their standards so it would seem to me that their request for input = now would be a good opportunity for us to do just that. Comments? Ideas?? dave __________________________ David M. Porritt, RPT Meadows School of the Arts Southern Methodist University Dallas, TX 75275 dporritt@smu.edu <mailto:dporritt@smu.edu>=20 ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/ba/c0/5e/d6/attachment.htm ---------------------- multipart/alternative attachment--
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