---------------------- multipart/alternative attachment In a message dated 3/7/05 6:17:39 P.M. Central Standard Time, hgreeley@stanford.edu writes: Concert work is a crap shoot, no matter how good/bad one might individually be as a technician. You/one/_anyone_ is only as good as your/their last tuning...period. Further, survival is not at all necessarily reserved for the most fit. There is a very simple bottom line which must be addressed before getting too deep into concert work (beyond the point of it being a relatively occasional service for the local MTA/whatever); and, that is, just how thick is your/anyone's skin? Doing "real" concert work is brutal...not at all the way it is seemingly idealized by so many. One either learns to live with the inevitable slings and arrows, or, wisely, one chooses to leave the field to those whose egos either need and/or can withstand the onslaught. Horace Thank you for your advice. This is the one area of concert work that I need to develop. (creating a thick skin). As far as I know, this is not a class I have not seen offered at any convention. Wim ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/fc/a9/f9/cd/attachment.htm ---------------------- multipart/alternative attachment--
This PTG archive page provided courtesy of Moy Piano Service, LLC