This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment not necessarily Wim, if one is only trying to change the TIMBRE and not = the VOLUME. And Jim Ellis is quite correct another consideration of the = pianist is decay rate. But so much of this happens intuitively at light = speed that it is not done consciously. It is expression itself. Try it = yourself. It's the only way you can really understand this, observation = is almost useless. Chris Solliday=20 ----- Original Message -----=20 From: Wimblees@aol.com=20 To: caut@ptg.org=20 Sent: Saturday, March 19, 2005 10:33 PM Subject: Re: [CAUT] excessive pedaling? I have another question regarding the pedaling. As I said on one of my = posts, I really don't hear any difference when the piano player squeezes = the pedal just a hair, or goes to one of about four different position, = other than fully depressed. On a properly voiced hammer, there isn't = supposed to be any harsh sounds. But what I am hearing is all the same = sound, until the string hits only 2 strings. Shouldn't the piano player = also be trying to play a little different when using the una corde? I = mean, it doesn't seem to do much good to press the pedal, while still = playing at the same volume. Isn't that defeating the purpose, a little? = That's like stepping on the brake while accelerating.=20 Wim ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/6f/43/31/0d/attachment.htm ---------------------- multipart/alternative attachment--
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