Hi Jim, As to your original issue of actually seeing the parts in question, have you tried an Optivisor? I just recently got one and it is a very well-designed and useful tool. Very comfortable, exchangeable lenses, optional light and a reasonable price. Check it out at: http://www.ares-server.com/Ares/Ares.asp?MerchantID=RET01229&Action=Catalog &Type=Product&ID=18108SP -- Alan McCoy, RPT Eastern Washington University amccoy at mail.ewu.edu 509-359-4627 > From: Tim Coates <tcoates1 at sio.midco.net> > Reply-To: "College and University Technicians <caut at ptg.org>" <caut at ptg.org> > Date: Thu, 09 Aug 2007 19:31:58 -0500 > To: "College and University Technicians <caut at ptg.org>" <caut at ptg.org> > Subject: Re: [CAUT] Black on Black... (Jack alignment) > > Fred, > > I would be interested in knowing if you experience the same issues I > think Chris Soliday eluded to: the jack back versus the jack forward > affects speed. I agree that .5mm is a great deal of discrepancy and > should not be there. I deal with a number of Van Cliburn finalists and > students from TCU (yes here in the Dakotas). One of their obsessions > is speed of repetition. I see how what you are doing can be used with > my methods. > > I am always trying to tweak the performance instruments in my care and > I find jacks to be critical to the condition of the piano. > > Thanks, > > Tim Coates > > On Aug 9, 2007, at 3:12 PM, Fred Sturm wrote: > >> Yes, I agree, a .5 mm difference in alignment (one jack that >> much farther forward than its neighbors, for example) is readily >> noticeable to a sensitive pianist (and that is the pianist we cauts >> are working for, or so I like to believe when I'm not in a cynical >> mood <G>). As is a difference in setup of all jacks of the same >> dimension. One of my piano profs recently complained about "lack of >> positive feel" on her piano. What had I done? Adjusted the jacks >> forward a bare smidgen, thinking it was too much resistance (letoff >> was too noticeable). I moved them back. She's happy. >> Now your everyday amateur probably won't notice that >> difference. And it only really shows up when everything is pretty well >> refined. But "everything being pretty well refined" is a function of >> obsessive attention to many details, of which this is just one. The >> total effect is VERY noticeable to just about anyone who can play a >> piano. So I don't like to take the attitude that something is "good >> enough for the average bloke." It's not that much harder to get every >> single unison dead on and solid on every single piano, to give a >> different example. And the total effect of that is very noticeable >> also. >> Regards, >> Fred Sturm >> University of New Mexico >> fssturm at unm.edu >> >> >> >> >> On Aug 9, 2007, at 10:56 AM, Don Mannino wrote: >> >>> Ed, >>> >>> As far as the disagreements go, I'll stay out of it. >>> >>> Based on your statement about pianists feeling jack alignment, I must >>> respectfully disagree. Most pianists with reasonable skill will feel >>> .5mm misalignment, but will not be able to identify it as such. It is >>> very important to be very even, although the exact best location >>> might be debatable. >>> >>> Don Mannino >>> >>>> From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf >>>> Of Ed Sutton >>>> Sent: Thursday, August 09, 2007 9:04 AM >>>> To: College and University Technicians >>>> Subject: Re: [CAUT] Black on Black... (Jack alignment) >>>> >>>> Tim and Fred- >>>> >>>> Let's see. >>>> >>>> You guys are disagreeing about the exact placement of 88 little >>>> sticks in a 900 pound box. >>>> >>>> By the time you're done with your adjustments, the result may be the >>>> same, or may even vary as much as .7mm! >>>> >>>> If there is a difference, probably 2 piano technicians in 300 could >>>> feel it, maybe 1 pianist in 300. >>>> >>>> Sounds like a good topic for a Blood Feud! ;-) >>>> >>>> When I think about the stuff other people do, I think we are pretty >>>> lucky to be worrying about jack/knuckle alignment. >>>> >>>> Anyway, I am grateful for folks who are so passionate about this >>>> work. >>>> >>>> Ed Sutton
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