Hi Daniel, We already have data on breaking strength, tensile strength, sheering strength, etc. but could you give me a question I could pose for malleability and fracture time with working? Sounds good, but I'm not sure how to word it. Stainless (Pure Sound) is MUCH more malleable, but how can we measure it or quantify it, and what would that mean for the technician? Just searching for a good Q. Also, when using stainless you need to handle it a bit differently. You can't "force" it around the hitch to make your beckets line up. I guess that's what you're asking? Thanks, Jim Busby BYU ________________________________ From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of Daniel Gurnee Sent: Monday, August 27, 2007 3:29 PM To: College and University Technicians Subject: Re: [CAUT] Scientific study - Stainless wire (Help!) Good going and wishing well the project. Compare breaking strength. Compare malleability. Compare fracture time with working. Daniel Gurnee, RPT, HSU Retired On Aug 27, 2007, at 2:09 PM, Jim Busby wrote: List, We (BYU) finally are ready to do some scientific studies of stainless wire. This will be conducted by Physics professors/students here at BYU. Could any of you help me pose some "questions", "queries" or whatever you want to call it, for these studies? One of our student piano technicians is doing his senior project and his professors (who we've bugged for years) are just now getting excited about this. Here are some things I've thought of; 1. What are the actual differences in sound between stainless and Mapes or Roslau? (Spectrum, etc.) 2. What are the differences in inharmonicity between the two? 3. (how?) Do bass strings with stainless core sound different than other core? 4. etc.... Jim Ellis, others, I'd really like some input on this. We have our ducks in a row so now is the time. Thanks, Jim Busby BYU -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/20070827/3831d035/attachment.html
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