I think David and Fred are right about the teaching style that promotes "fortissississimo", and sometimes ends up with a few broken strings in practice rooms and teaching studios. Some audiences seem to be thrilled by what, in my opinion, is "piano gymnastics". I once saw a young pianist - a previous contest winner - whack the low A# key with his fist to punctuate the end of a number he played. The audience loved it. I didn't. In my view of it, there are those who thrill their audiences by using the piano for a punching bag, but then there are those like the late Dame Myra Hess and Wilhelm Kempff who used the piano to make music. I was once privileged to hear both, live on stage - Myra Hess about 1950, and Wilhelm Kempff about 1966. I saw no gymnastics - just heard beautiful music. Jim Ellis
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