Hi Paul, One thing that disturbs me about these hammers, at least on the pianos I have put them on, is that they never give me the "clang" that I want at a fff dynamic level. They are nicely made, don't require much prep, and give a warm, dark tone quality, but in my experience with a fff blow all you get is more volume without as much change in the partial mix as I want. I have ended up juicing every set. If I could get a set of S&S hammers that were completely unaltered at the factory (long uncoved, unarced tails), I would use Steinway hammers. I happen to like the sound I can get using lacquer, so I will go back to using Ronsen Bacon hammers with lacquer. Having said this though, so as not to be misunderstood, I do not like a bright piano sound that you get from hard hammers. The only time I want clang is at the highest dynamic levels, so the pianist has to work to get it, as opposed to those pianos that are pingy from the getgo at a pp level. FWIW. Alan -- Alan McCoy, RPT Eastern Washington University amccoy at mail.ewu.edu 509-359-4627 509-999-9512 > From: Paul T Williams <pwilliams4 at unlnotes.unl.edu> > Reply-To: "College and University Technicians <caut at ptg.org>" <caut at ptg.org> > Date: Tue, 08 Apr 2008 10:01:13 -0500 > To: <caut at ptg.org> > Subject: [CAUT] Ronsen-Wurzen hammers > > Hi gang, > > This summer I'm rebuilding the action on our 1956 Baldwin D using Renner > shanks/flanges and wippens. I'm also, per your previous reccommendations, > trying Ronsen-Wurzen hammers for the first time. I have some time before > summer arrives to "prep" the parts, weigh off the shanks, check pinning, > etc. My question is; What sort of pre-voicing should be done with these > hammers? Do they require pre-filing, juicing, needling etc.? They're > already bored, tapered and tails shaped nicely. > > Thanks for any input! > > Paul T. Williams RPT > Univ. of Nebraska
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