[CAUT] 1098's

Paul T Williams pwilliams4 at unlnotes.unl.edu
Fri Dec 5 13:53:41 PST 2008


Good point, Richard,

That is, of course, if the owner knows how to make it work!! I had a 
client who just tilted the fallboard up, not knowing about lifting the 
front board and putting the fallboard behind the front board!!  She wanted 
me to construct a new music desk with a large "lip" on it...I showed her 
how the thing really works, and Voila!  No tip after my tuning, however. 
:..>(

Oh well!

Paul




"rwest1 at unl.edu" <rwest1 at unl.edu> 
Sent by: caut-bounces at ptg.org
12/05/2008 02:05 PM
Please respond to
caut at ptg.org


To
caut at ptg.org
cc

Subject
Re: [CAUT] 1098's






I have to join with those that find some virtue in the 1098's.  One can 
learn to tune them in spite of all the false beats and funky tuning 
pins/pressure bar.  And they sound pretty good in spite of all the false 
beats.  I would add one other comment that doesn't seem to have been 
mentioned.  The full width music desk is unmatched by many brands, 
especially for musicians that have to spread their music out.  I've never 
liked the measly little flip down music desk that has become the norm on 
bigger console/professional model pianos.

Richard West


On Dec 5, 2008, at 12:13 PM, Christopher Purdy wrote:

Thanks to everyone that has responded to my questions, both here and 
privately.  Considering the venom that we usually hear from piano 
technicians about these pianos, I was very surprised to receive more 
positive feed back than negative.  I still welcome any and all comments.  

In some thirty years at this game, I admit that I have only had a hand 
full of customers with the 1098.  Despite the university, Athens is a 
small town and the only customer I had with one moved away a couple of 
years ago.  I also have to admit that I allowed myself to assume a fair 
degree of distaste for these pianos simply because other tuners always 
spoke so poorly of them.  I'm opening my mind to them now, so to speak, 
and I'm much less apprehensive about considering them.

I have been saving all comments I have received about this and plan to 
compile all the pros and cons to present to faculty and administration 
soon.  I would still like to hear from anyone out there.  I am especially 
afraid of being part of a decision that I will regret down the road. 
 Since these pianos will outlive me here at the school of music for many 
years, I don't want my "legacy" to come down to my successors asking, what 
was that idiot thinking?

Chris


Christopher D. Purdy R.P.T.
Registered Piano Technician
School of Music, Ohio University
Rm. 311, Robt. Glidden Hall
Athens, OH  45701
Office (740) 593-1656
Cell    (740) 590-3842
fax      (740) 593-1429
http://www.ohiou.edu/music



-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://ptg.org/pipermail/caut_ptg.org/attachments/20081205/bf005e21/attachment.html>


More information about the CAUT mailing list

This PTG archive page provided courtesy of Moy Piano Service, LLC