[CAUT] ghost tuning

David Love davidlovepianos at comcast.net
Wed May 6 07:15:06 PDT 2009


I disagree with "ghosting the whole piano".  The idea of ghosting the bass
is to isolate upper partials that are otherwise muddied or hidden by the
sheer volume of noise being produced by the low bass strings.  It's not
necessary in the middle or upper end of the piano where the partials in
question are much more clearly audible.  In the upper end of the piano
ghosting is relatively useless.  

 

David Love

www.davidlovepianos.com

 

From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of
Sloane, Benjamin (sloaneba)
Sent: Wednesday, May 06, 2009 6:48 AM
To: 'caut at ptg.org'
Subject: Re: [CAUT] ghost tuning

 

   Hello Wim,

   It would be easier to address your question more directly if you told us
what kind of piano you are tuning, i.e., if we were all sitting in front of
the same piano.  

   For the most part, I would have to answer generally that you should be
ghost tuning the whole piano, not just the bass. Though Visual Aid
programming starts 2:1 octaves a lot sooner than this, only at C# 7 do you
begin to tune octaves without a partial represented by a string above it in
the typical 88 note piano. The distribution of octaves I have experienced
with visual aids, in my opinion, will work, if you only tune certain
spinets.

   The distribution of octaves depends on a lot of things, most of all, what
you think is right. Nobody can tell you what octaves to ghost in the bass,
because the scaling in every piano is different, and everyone has their own
convictions about this. Unless you use an ETD, that is. Since the recent
epidemic in ETD addiction however, many tuners are now clueless about this.
They never aural tune enough to have an opinion in the first place. I've
aural tuned enough to be genuinely offended, even shocked, by the type of
octaves more transparent visual aids tell me it is programmed to set in the
sundry regions of the piano. 

   Being passionate about temperament and the distribution of octaves is
something that by in large, piano technicians scoff at as a neglect of more
important aspects of the field-leave it to the visual aid programmers-so
much so that we have developed a reductionist dialectic about tuning.
Instead of figuring out correct temperament in parley, the whole argument
is: "ETD vs. aural!" when all the ETD does is a tuning based on aural
determinations that in themselves may or may not be right. We also harbor
the presumption that is what ETD programmers intended. I don't get the
impression that all ETD programmers themselves even meant for this to
happen, either, and it is clear to me that some are meant to educate the
user much as help him or her tune.  

-          Ben

 

 

From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of
wimblees at aol.com
Sent: Tuesday, May 05, 2009 11:37 PM
To: caut at ptg.org
Subject: Re: [CAUT] ghost tuning

 

David

Please explain a little more. What am I listening for when I hold down the
two bass notes, and what interval are you using? If I hold down C1 & C2,
what other note should I play, and what should I hear? 

Wim

-----Original Message-----
From: David Love <davidlovepianos at comcast.net>
To: caut at ptg.org
Sent: Tue, 5 May 2009 5:11 pm
Subject: Re: [CAUT] ghost tuning

Hold down two bass notes (an octave apart) and strike the note the
corresponds to the coincident harmonic that you want to use as the test
partial.  

 

David Love

 <http://www.davidlovepianos.com/> www.davidlovepianos.com

 

From:  <mailto:caut-bounces at ptg.org> caut-bounces at ptg.org [
<mailto:caut-bounces at ptg.org?> mailto:caut-bounces at ptg.org] On Behalf Of
<mailto:wimblees at aol.com> wimblees at aol.com
Sent: Tuesday, May 05, 2009 6:55 PM
To:  <mailto:caut at ptg.org> caut at ptg.org
Subject: [CAUT] ghost tuning

 

Some time ago a tuner told me about ghost tuning the bass. I tried it a
couple of times, but I've not used it for a long time, and forgot how it's
done. From what I remember, you hold down a bass note, and listen to a
partial an octave and third up, or the other way around. Does anyone know
about this?

Wim

 

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