[CAUT] Shellac Voicing

[Jeannie Grassi]

Carbon paper is getting harder to find but you may also look in art supply
stores and ask for transfer paper.  It may come in larger sheets, but that's
what scissors are for.
jeannie

-----Original Message-----
From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of David
Ilvedson
Sent: Monday, November 23, 2009 3:25 PM
To: caut at ptg.org
Subject: Re: [CAUT] Shellac Voicing

That really is a nifty tip...I haven't looked for carbon paper in a long
time...of course if the string lines are noticeable on the hammer you can
work in between the marks.  

David Ilvedson, RPT
Pacifica, CA  94044

----- Original message ----------------------------------------
From: "Jon Page" <jonpage at comcast.net>
To: caut at ptg.org
Received: 11/23/2009 2:17:33 PM
Subject: Re: [CAUT] Shellac Voicing


>>What I will have to do is some shift pedal voicing.  How do you like 
>>to mark string position on hammers?  What kind of stitching do you 
>>like to do between the string marks in the shift position?

>In the November Journal, Jurgen has a nifty way to mark the hammers.

>Place a sheet of carbon paper in a manila file folder. Pull it out 3/4" on
>one end and insert the folder above the stack. Play the notes to mark
>the hammer surface.

>The folder adds the stiffness needed to position the paper and
>move it across the rail.
>-- 

>Regards,

>Jon Page