Back in the late 70s, when I was just getting started with pianos and working in someone else's shop, we ordered a set of shanks and flanges with pre-hung hammers from the Mother Ship, as a presumed expedience. The hammer hanging was reasonably well done, but the Teflon center pinning was abysmal. The HMWIC's take was, "If they supply them clicking like that, that must be how they want them to be". Add to that, Steinway's attitude that any Teflon action center pinning problem was the fault of the incompetent local tech, since they left the factory "perfect", and either the unavailability, or high price (I forget which at the time) of appropriate tools for correcting the perfect factory pinning complicated the process somewhat, I decided then and there that I wanted nothing more to do with the damned things - ever. After a series of periodic reevaluations through the years, I've retained that initial assessment. For me, it's in the same category as Pure Sound wire. It may be fine, within defined parameters and impositions, but requiring the rest of the world to invest in tools and/or materials necessary to keep the systems shored up and working is expecting a lot when more conventional systems can be made to work at least as well. This is, more or less, how the current systems came to become conventional. Now, I'm all for trashing entrenched dogma when something that works better for the effort, or as well for less effort comes along, but I fail to see how Teflon bushings have ever met that criteria. Maybe I'm just not squinting at it just right. Ron N
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