>I'm all for protecting our hearing. But if the piano is that loud, shouldn't we >protect EVERYBODY'S hearing by making it softer? Incidentally, I once talked to >a professional audiologist and she told me that she didn't see any reason why a >piano should damage anyone's hearing. > >Mark Stivers > > > >mark.stivers@24stex.com >(916) 447-5494 Most players don't create the kind of db levels that we do witha solid test blow. In addition, most players don't expose them to high db levels for as long as many of us do each and every day. Both volume and length of time exposed contribute to hearing damage. Unfortunately, serious players do expose themselves for many hours a day, often in small practice rooms or faculty studios. These are the same people that have the technique to get the most volume out of the instrument, and also insist that the pianos they use respond to their demands for more sound. In my opinion, many performers *are* putting themselves at risk for hearing loss. I think the subject is worth a gentle mention to a client when appropriate. My audioligist said the same thing to me. But then she started asking about time exposure, stating that if I were tuning more than four hours a day, I should limit constant volume levels to 80db or less. Well, just to test, I got myself a db meter and found that on a average test blow console pianos typically would peak out at 100db, small grands at 110-120 db, and a Yamaha C7 in a concrete practice room at the University of Minnesota peaked at 135 db !!! I got scared, and I got plugs. John McKone
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