>This is the frequency table for the historical Bach tuning. >Reconstructed by scientific methods. Usable for 24 Keys. >"Das Wohltemperirte Clavier" was composed for this temperament. Uh...........whoa, there pardner! With all due respects to Mr. Kellner and his valuable work. . . . I do believe that there is a lot of conjecture and disagreement among modern scholars in regards to the sort of tuning that J.S had in mind when he wrote the Well-Tempered Klavier. Unfortunately, as soon as someone invokes the magic words "reconstructed by scientific methods," a lot of people suddenly prostrate themselves. . . . mindlessly babbling incantations of adulation to the god of science. I'm sure I don't need to tell you that18th Century aesthetics of tuning, which give each key its own particular "affect," admit a much greater variety or range of what might be considered "in tune" in a given situation than with today's homogenized approach. Yet with that proviso, some pieces in the WTC might be a little too spicy even for 18th Century tastes. However, if one can divorce themselves from the notion that there is *one* single tuning for the entire WTC (I mean - is it usual to sit down and play the entire WTC in one sitting?) then some of the 18th Century tunings that we know about i.e. Kirnberger, become practical alternatives as a starting point. Bill Darst Music Dept UC Santa Barbara
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