Keith McGavern rote, 5/21: <<Well, it is pretty exciting stuff. Mr. Franklin has a unique and fresh way of expressing his experiences. It struck a chord way down deep inside of me. Maybe it will resonate in you as well.>> Yes, it made a great story, and I wanted to believe as much as anyone else that a great secret was on the verge of discovery. But it has been one big false alarm. In the last week (boy was my Journal late this month!...), I have tried every Steinway which I thought great sounding to find an accord between the speaking length and the back duplex. In each instance (allow me the irony of quoting), "the intervals were somewhat flat or sharp of these consonances." I suspect further that this well-known variation in accordance, is likely due as much to the ebb and flow of tensions across the bridge, over the years of tuning, as to any misplacementof the back duplex bars. Anyhoo, shouldn't the proper placement and later verification thereof of these bars be a simple matter of distance ratio? Throughout Mr. Franklin's quest there is the unwavering presumption of his that some correct consonance between these two section s will allow the tone of a piano to soar forth. Accompanying this presumption is precious little science. What may I ask, are we to gather from the charts at the top of p. 26? That partial strength actually deteriorates after "placement and tuning". Do misunderstand me, I'm greatful to Franklin for his contribution to the Journal and like Keith, admire his zeal. But the best news I got from his article was that LaGuardia Community College has a Steinway Archives Collection which is by now cataloged. (Could they post an index on the internet?) But for the meantime, hopes raised in the article's first paragraphs for some dog Steinways up here, are now back on the shelf in their shoebox. Bill Ballard, RPT "She will slap you, she will kiss you, NH Chapt, PTG you will fall in love with her" from a promotional t-shirt for Kendrick rock'n'roll amps. (YUK)
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