Richard West wrote: >>What is the general opinion about teflon? Is everyone out there replacing teflon parts with every opportunity to do so? (Iam.) Is there any redeeming value to keeping teflon? (I don't think so.) I'm curious if there's anyone out there still defending teflon.<< Don Mannino's reply: There _are_ benefits to the teflon bushing, but obviously the drawbacks outweight the benefits or it wouldn't have been withdrawn from production. The advantages are the combination of low friction with extremely tight control of the action part's motion. The centers can be fit with close to zero measureable friction, yet have essentially no play and little flex. This arrangement is the ultimate for power transfer and minimum energy loss, although setting the friction that low (especially with massive hammers) presents problems in regulation. My experience with Teflon bushed concert grands is that they are often exceptionally powerful instruments, and somewhat finicky to regulate at times. Fortunately, piano history has shown that similar results can be obtained with excellent, thin, firm bushing cloth, properly fit with a large center pin. Some form of lubrication (I hate that word! For newer techs, I am NOT referring to oil!) helps as well. Teflon impregnation, graphite, or silicone are all used by various manufacturers to achieve the firm but low friction fit, while maintaining the resiliency of the wool bushing. The drawback of Teflon for action center bushings is that it is unnacceptably service intensive for many situations. The teflon is not sufficiently resilient to take the forces presented to it during use, so it "bruises" and changes shape, resulting in clicking, loss of control and inneficiency. We technicians somehow prefer actions that don't need new bushings installed every few years, as do the piano owners. Actually, maybe we technicians should reconsider - as long as we're being paid, why complain???? ;-) If I may plagiarize a bit: Takes a lickin' and soon starts clickin' Don Mannino RPT 74473.624
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