I guess there has always been a controversy on whether to strip mute or not. If a piano is at pitch at A-440 I don't bother strip muting. Otherwise I do. I once went to visit a tuner friend and interrupted him while tuning his piano with a SAT. He used a Papps mute throughout. I had just bought my SAT and hadn't yet used it, so I asked him if I could watch and see how he uses it. He tuned the left string with the SAT, then the right string with the SAT, then the center string with the SAT. Never once did any checks. He finished tuning the piano and invited me to check it out. I did and it was horrible. Like I said I came in the middle of it and don't know how flat it was to start with, but I was obviously skeptical about the method he used. I'd like to hear from Jim Coleman, Sr. on this. Jim, are you there? Also, is it advisable to start tuning from A0? Where are the checks? > "To strip mute or not to strip mute? That is the question." > > When you're using your SAT how many of you strip mute the entire piano? > or any portion of it? > > i have found that starting at A0, and tuning unisons as I go, the piano >is more stable (closer to where you want it when finished) when I finish >a pitch raise, and for that matter, the final tuning. I used to >strip mute when I first learned about it in the late '70's, but there >was an old-timer in our area who always said that he thought tuning unisons as >you go was better. I have found that to be true. > >vince mrykalo rpt >byu provo utah
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