Dear Avery, Ben, Jim(s), and Steve, Much thanks for the amazing quantity of info. I appreciate the efforts of those who have the time to search the web (...'cause I flat don't have the time or speedy computer needed for it, Keith! 200 hits on harpsichords! The mind reels! I'd run gibbering to a corner after an hour or so!) sharing their info with my humble self. I've just returned from my last tuning, at about 9:00pm, so I haven't had a chance to check with the suggested experts or verify that the supply houses actually HAVE the wire they list in their catalogues, or learn anything beyond what your (helpful! useful! considerate!) posts have given me. So... More questions- On wire & sizes; 1. Schaff lists skinny steel music wire for harpsichord sizes. Anybody ordered any lately??? Quality? Tone? Comments? 2. APSCO lists two varieties; A> "Brass Spring Wire- for harpsichords &..." B> "Steel Music Wire-Small Sizes" with suggested range for harpsichords as well. Any preferance on brass or steel? I'm hoping that APSCO has the brass.The only other instrument in the area, at the college, has a supply of "high copper/brass wire" which the instructor swears by. Came with the instrument, and he would rather not part with his precious supply. (But will if needed, nice guy). I'd like to create a supply for the high-school's instrument, and a supply of the needed plectrons/jacks, too. Look folks; I believe that I can easily get this critter up and running IF I get the needed wire. The busted plectrons can be shifted to the extreme ends (a couple are simply loose from the jack, and may survive re-glueing/pinning), and the damper-felt can be flipped over, cut, or replaced in a reasonable length of time. I will bang together two pieces of wood with angled braces and cry out; "Voila! A music rack!". I will regulate the jacks for reliable repetition. It WILL work, by Ghu! (Perfection comes later...) Replacing the missing wire is the priority. If I get the thing up and running for the concert (minus a note or two at the edges...) I will have 'carte blanche' from a grateful music-staff to re-string, re-felt, regulate, and repair at my leisure after the first of the year. I'll build a respectable music rack, trimmed with brass hinges, that folds away properly. I'll repair the de-laminating plywood sides. (Crack!) I'll re-build the leg-attachment points (which are wobbly! wobbly! wobbly!) I'll completely re-string and re-felt and..... but this is LATER! Right now, I just need to get a working instrument into their hands ASAP. (sigh) The jacks do NOT have an adjustment screw to control plectron 'reach' towards the strings, just the stop-lever that shifts the whole line. Fortunately, they are in good alignment. Keeping in mind Jim's suggestion, here's an attempt to show it to ya. Side view from the treble end. ________ I I F is damper felt folded in slot, <1/8" above plectron I I I F I > is plectron on spring-loaded tongue pinned in slot I >I I F I O is round lead weight I I L is adjustable post leading to key. I__I O _ is pin at base of plectron tongue. Spring on back. I I _______ L L L It's a bit skinnier in real life. And the weight is a teensy bit bigger. Single flat plastic plectron plucks a single string (...actually resembles a flat triangle of REAL goose quill! But they are so identical, must be plastic. Shoved/glued in tongue pinned in slot). It ain't complex. All jacks/plectrons are identical. Is this a Zuckerman or a Hubbard? Absolutely the smallest & cheapest whichever ever built in a garage over a few weekends, perhaps. But it DOES play, and please the ear. Oh... the pins are square, with becket-hole. Comments? Additions? ID of company? Thanks for your time, Jeffrey T. Hickey, RPT TunerJeff @ aol.com Oregon Coast Piano Services (541)756-7701 ps- Pitch? (440? 435? 420? I'm figuring 440, there are strings and woods playing with it.) Temperament? (Kirnberger acceptable to most? As simplest to train to accompanist?)
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