Randy Potter rote, 12/30: <<Your friend in Provo may be a day late and a dollar short. Dean Reyburn has been working on such a program for over a year, and last summer, at the PTG Convention in Albuquerque, I went up to his room and test drove it. It was not *ready* yet, at least he was not selling it yet, but it worked - and it worked good! I am going to get one>> If I understand the original post, what the ex-Novell engineer had in mind was linking a spreadsheet to a sound card. The laptop's mike would assay the inharmonicity of sample notes from the piano (Dr. Sanderson's F-A-C, or just as easily all 88, as Steve Fairchild has done). These values would be plugged into a spreadsheet which would cipher the temperament octave frequencies which would most evenly distribute the disharmony (read beat rates) for all of the significant interval series residing in that temperament octave. (The math is well beyond my high school education, but involves regressions and interations. Both Sanderson and Fairchild have done this. My guess is that among engineers, the math is a common garden variety.) Once the temperament octave has been calculated, its translation to the outer reaches of the compass involves far fewer lumps to be smoothed out. The spreadsheet having done its job, the computer (with the DSP on its sound card) compares the fundamental frequency of a given note from the piano to its frequency as specified by the spreadsheet. Presumably, if the pitch of the piano's note was within a quarter tone, you wouldn't even need to tell the computer which note was played on the piano. When the two frequencies match, a little thumbs-up icon would appear, and you'd move on to the next. How about the inevitable warp and drift in the shadows behind you? Again, if the dsp was worth anything, you should be able to run a fast chroamtic scale over the regions already done, and the computer could to detect (even at 8-10 notes sampled each second) frequencies which were logged as tuned, but not matching the spreadsheet specifications. It sounds like an interesting challenge for a start-up engineer. But if he has done his market research, he will have turned up two facts. First, it is the experience of those human beings most likely to get a good tuning out of a piano (namely, we professionals) that an electronic device will be a help in producing a good tuning, only in the hands of an experienced human being. DIYers and otherwise hobbyists who can actually hear the difference between a good and bad tuning will find that whatever has been built into the program is not the stuff required to make the difference between a good and a bad tuning. Those entry level duffers who can't hear the difference will quickly have only themselves listening to their tunings. The market forecast according to this? The majority of purchasers without professional piano technicians' experience will be excersizing their 30-day money back option. The second fact is that the purchasers with technical experience will be those who now envy Dr. Sanderson's ability to create harmonious tunings on a three note sample, and would like that capability out in the field, at the piano, on their lap and with a few keystrokes. If so, the accuracy of the sound card's hearing is going to need to match if not best that of the SAT II. If the development and manufacturing costs of the SAT II hardware, as paid for by the small size of Inventronic's market (whatever size that may be), set the cost of that whole box of hardware at around $1500 (a dedicated machine for a niche market), I wish this engineer luck in accomplishing the same with an off-the-shelf soundcard. If he can do this succefully, I'm sure that his spreadsheet pages can be accessed and cataloged nicely by the personal information manager tailored for piano service, which Dean showed Randy. BTW, this technology is well-developed by now. The *RoboTunerr* was one of first Inventronic/Mitsubishi joint ventures, and has been covered on an annual basis by the WoolEyes New Service. Bill Ballard RPT NH Chapt. "You'll make more money selling my advice than following it" Steve Forbes, quoting his father, Malcom.
This PTG archive page provided courtesy of Moy Piano Service, LLC